dimecres, 28 de gener del 2026

DEPPISCH, Valentin (c.1746-1782) - Te Deum laudamus in C

Philippe Canot (c.1715-1783) - Ceiling Design


Valentin Deppisch (c.1746-1782) - Te Deum laudamus in C. / a / 4 Vocibus, / 2 Violinis,
2 Obois obi: / 2 Clarinis, / Tympanis / Violone el / Organo.
Performers: Angelika Czabán (soprano); Anita Huszár (mezzosoprano); Károly Komódi (tenor); Gábor Kari (baritone); Sol Oriens Kórus És Kamarazenekar; Deményi Sarolta (conductor)

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Austrian (?) composer. The name Deppisch is of Bavarian origin, derived from the Middle High German terms 'täppisch' or 'tölpatschig', meaning unskilled or clumsy. While his arrival in Pécs may have been part of the broader 18th-century German emigration, it is more likely he originated from Austria, as the name remains extant in Vienna and the Styrian town of Fürstenfeld near the Hungarian border. Valentin Deppisch arrived in Pécs in 1769 at the age of 23 and began working as a second organist at the cathedral. In 1772, he purchased a house in Obere Franciscaner Gasse for 230 Rhine forints, though he moved to Caposvarer Gasse in 1774 due to the construction of a girls' institute. On 1 January 1778, he was promoted to first organist following the death of Joseph Fuckinger, which increased his salary by 25 forints. His professional duties included maintaining the parish church organ and providing accommodation and tuition for choirboys. He was married to Magdalena Dorn, a choir singer, with whom he had five children. Valentin Deppisch died on 14 March 1782, at the age of 36, after which his widow petitioned the Chapter for financial aid in exchange for her continued service in the church choir. As a composer, he received an annual payment of 75 forints from 1779 until his death, though archival dates on his Lauda Sion and Mass in C major indicate he was active as early as 1775. His extant output includes 4 Masses, a Requiem, two set of Vesperae, one Magnificat, and other sacred works as well as a symphony and one organ work.

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