Es mostren els missatges amb l'etiqueta de comentaris Zimmermann A.. Mostrar tots els missatges
Es mostren els missatges amb l'etiqueta de comentaris Zimmermann A.. Mostrar tots els missatges

dimecres, 25 de desembre del 2024

ZIMMERMANN, Anton (1741-1781) - Missa pastoralis

Jacobus Buys (1724-1801) - A set of twelve representations of the months


Anton Zimmermann (1741-1781) - Missa Pastoralis in D | a | Canto Alto | Tenore Basso |
Violino Primo | Violino Secundo | Flauto Traversi 2 | Clarini 2 | Tympano | Con Organo.
Performers: Kamila Zаjičková (soprano); Piotr Olеch (alto); Marian Olszеwski (tenor); Jaroslav Pеhаl (bass);
Musica Aеtеrna; Vox Aеtеrna; Peter Zаjicеk (conductor)

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Moravian composer and organist. Following training from a local organist at Königgrätz (now Hradec Kráslové, Czech Republic), he obtained a post in Pressburg in 1770 as organist and town Kapellmeister and where his Singspiel Narcisse et Pierre is reported to have been performed in 1772 (as documented by the Pressburger Zeitung). In 1773 he also composed works for the St Cecilia festivities there. Early in 1776 he was appointed Kapellmeister and court composer to Count Joseph Batthyány, the Archbishop (cardinal from 1778) of Hungary. He developed the orchestra into an outstanding ensemble of over 20 musicians (including the double bass virtuoso Johannes Matthias Sperger), in which wind instruments seem to have been prominent; he conducted from the first violinist’s chair and remained the head of the orchestra until his death. As a composer, he was widely known for his good sense of thematic contrast in his instrumental music, as well as his progressive chamber music. His works include five operas, 10 Masses, an oratorio, 12 graduals, six motets, two hymns, 16 Marian antiphons, 18 symphonies, 12 concertos, 15 divertimentos, a serenade, four partitas, 30 string quartets, six sextets, 20 quintets, four duets, and a large number of dances. Some works attributed to Zimmermann may be spurious, as he has often been confused with like-named contemporaries.

diumenge, 21 de juliol del 2019

ZIMMERMANN, Anton (1741-1781) - Missa solemnis 'Sancta Caeciliae' (1773)

Pierre Alexandre Wille (1748-1821) - The Festival of Good People, or the Reward for Virtue (1776)
Obra de Pierre Alexandre Wille (1748-1821), pintor francès (1)




Parlem de Pintura...

Pierre-Alexandre Wille (Paris, 19 de juliol de 1748 - Paris, gener de 1821) va ser un pintor francès. Fill del gravador Johann Georg Wille, es va formar inicialment en el taller del seu pare. El 25 de juny de 1774 es va acreditar com a membre de l'Académie royale de peinture et de sculpture i en la qual hi va exposar de forma intermitent fins el 1819. Durant la Revolució Francesa va perdre tots els seus privilegis i va patir greus problemes de salut familiars si bé va continuar venent les seves obres, principalment retrats i escenes de gènere. Tanmateix, el darrers anys va viure en la misèria morint a París el gener de 1821.



Parlem de Música...

(Johann) Anton Zimmermann (Breitenau [ara Široká Niva], bap. 27 de desembre de 1741 - Pressburg [ara Bratislava], 8 d'octubre de 1781) va ser un compositor moravià. Es va formar inicialment a Silesia abans d'assolir el seu primer càrrec com a organista de la Catedral de Königgrätz. A principis de la dècada de 1770 va constar actiu a Pressburg, ciutat on el 1772 va representar el singspiel Narcisse et Pierre i el 1773 una missa solemne en motiu de les festivitats de Santa Cecilia. A principis del 1776 va ser nomenat mestre de capella i compositor de la cort al servei del comte, i posteriorment arquebisbe d'Hongria, Joseph Batthyány. Allà va crear una potent orquestra que va dirigir la resta de la seva vida i en la qual hi van destacar, entre altres, els seus instrumentistes de vent. A partir del 1780, va treballar com a organista de la Catedral de Sant Martí de Pressburg. Com a compositor, va ser notablement prolífic especialment en música religiosa i instrumental amb algunes simfonies atribuïdes erròniament a Joseph Haydn. Anton Zimmermann va morir a Pressburg l'octubre de 1781.

Ansicht von Pressburg (heute Bratislava), Kupferstich (1787) (2)

OBRA:

Vocal secular:

Stage:
Narcisse et Pierre (Spl, A. Berger), Pressburg, 1772;
Die Wilden (melodrama or incid music, J. Schilson), Pressburg, 13 Dec 1777, lost;
Andromeda und Perseus (melodrama, A. Cremery), Vienna, Hofburg, 23 April 1781, arr pf (Vienna, 1781);
Zelmor und Ermide (melodrama);
Leonardo und Blandine (melodrama, 1), doubtful, arr. pf (Vienna, n.d.)

Other:
Denis Klage auf Tod M. Theresien (cant., Denis), 1v, hpd (Pressburg, c1781);
Ziehet ein zu diesen Thoren (cant.), vv, orch

Vocal religiosa:

Masses:
6 in C;
3 in D;
1 in A;
c6, doubtful, also attrib. C.D. von Dittersdorf, J. Haydn, Hofer, I. Holzbauer, K. Loos, Novotny, F.N. Novotny, S. Seiler;
3, spurious, by F.X. Brixi, K. Vogl, M. Haydn

Other sacred:
Der sterbende Heiland (orat), doubtful;
6 grads, 1 doubtful, also attrib. T. Gabrielli;
6 offs, 2 doubtful, also attrib. L. Hofmann, G. Huber, Ryba;
2 TeD;
1 ps;
6 motets;
2 Tantum ergo, 1 doubtful, also attrib. Brixi;
3 Veni Sancte Spiritus, 1 doubtful;
Pange lingua, doubtful;
Vexilla regis;
3 Ave regina;
6 Regina coeli;
6 Salve regina, 1 doubtful, also attrib. Brixi;
7 Litaniae lauretanae, 1 doubtful, also attrib. L. Hofmann;
Litaniae lauretanae, spurious, by J.A. Kobrich;
4 arias;
1 chorus

Instrumental:

Syms.:
c9 in C, ed. Z. Fekete (Vienna and Basle, 1950), 1 also attrib. Haydn;
6 in D;
5 in E ;
3 in E;
3 in F;
5 in G, incl. Sinfonia pastoritia, 1 ed. in the Symphony 1720–1840, ser. B, xiv (New York, 1985), 1, doubtful, also attrib. G.B. Sammartini;
3 in A;
5 in B ;
1, F, spurious, by I. Pleyel

Concs. (only solo insts listed):
Grand concert, hpd/pf, op.3 (Vienna, 1782);
1 for hpd;
1 for vn;
3 for db, incl. 1 in D, c1778, ed. R. Malaric (Vienna and Munich, 1978), 1 in D, c1779, 1 in E ;
1 for bn;
1 for bn, lost, listed in Breitkopf suppl., 1769;
1 for 2 bn;
1 for hp, 1 for ob, both lost

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Chbr:
6 quartetti, str, op.3 (Lyons, c1775);
6 duetti, hpd, ?vn, op.1 (Lyons, ?1776), lost, listed in Breitkopf suppl., 1776–7;
6 sonate, hpd, vn, op.2 (Lyons, 1777), ed. D. Múdra (Vienna and Munich, 1998);
3 sonate, hpd, vn, op.1 (Vienna, 1779);
Quartetto, A , 2 vn, vc, hpd (Pressburg, before 1794);
6 sextets, 2 vn, va, 2 hn, bc;
12 qnts, 3 vn, va, vc, ed. J. Mezei (Budapest, 1996);
12 qnts, 2 vn, 2 va, vc;
Qnt, A, 2 vn, 2 hn, vc;
12 qnts, fl, 2 vn, va, vc, lost, listed in Traeg catalogue, 1799;
Quartetto, 2 vn, va, vc;
Quartetto, G, vn, va, vc, hpd;
3 trios, vn, va, vc, 2 ed. D. Múdra (Bratislava, 1996);
Duetto, fl, vn, ed. D. Múdra (Bratislava, 1994);
2 duets, hpd, vn;
Duetto, hpd, vn;
Duetto, vn, bc;
Belagerung von Valenciennes, vn, pf (Vienna, n.d.), lost;
Sonata, vn, vc, op.4;
Sonata, hpd, vn

Other inst: (for ens unless otherwise stated):
5 cassations;
10 divertimentos, 1 lost, listed in Breitkopf suppl., 1782–4;
6 ländler, str, lost, ed. P. Polák in Tance (Bratislava, 1966);
13 minuets;
Notturno-quartetto, str;
3 other notturni;
4 partitas;
1 serenata, 2 vn, 2 va, 2 cl, 2 bn, bc;
3 preludes, kbd, 1 doubtful, also attrib. Albrechtsberger;
3 fugues, kbd, 1 doubtful;
7 versets org, 1 in F, doubtful, also attrib. M. Haydn, in F.P. Rigler: Anleitung zum Gesange, und dem Klaviere (Ofen [now Buda], 1798);
12 zingareses, pf, ed. G. Papp in Hungarian Dances 1784–1810 (Budapest, 1986)



Informació addicional... 

INTERPRETS: Helga Varga Bach (soprán); Judita Andelová (alt); Jozef Gráf (tenor); Martin Mikuš (bas); Musica aeternaChorus SalvatorisPeter Zajíček
IMSLP: Anton Zimmermann (1741-1781)
CPDL: No disponible
SPOTIFY: No disponible

Tant si us ha agradat, com si no, opineu, és lliure i fàcil!