diumenge, 8 de març del 2026

MANFREDI, Filippo (1731-1777) - Vexilla regis

Johann Wolfgang Baumgartner (1702-1761) - Die Zurückweisung der Kaiserin Eudoxia durch den heiligen Johannes Chrysostomus


Filippo Manfredi (1731-1777) - Vexilla regis
Performers: Chiara Tаigi (soprano); Coro e Orchestra del Duomo di Castelnuovo Gаrfаgnаna; Luca Bаcci (conductor)
Further info: Domine Ad Adjuvandum

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Italian violinist and composer. Son of the horn player Giovanni Carlo Manfredi, he received his early education at the seminary school of San Michele in Foro in Lucca before studying with Domenico Ferrari in Genoa and Pietro Nardini in Livorno. He was a supernumerary violinist in the Cappella Palatina and was appointed first violinist in 1758. He also played in theatres, served as chief instrumentalist for religious functions and taught. After playing in a quartet with Nardini and Giuseppe Cambini in 1765, he formed a duo with Luigi Boccherini and began a concert tour which took him first to Paris in 1768 then Madrid, to the court of the Prince of the Asturias, where he was appointed first violin of the chamber music. He returned to Italy in 1772 and was re-admitted to the Cappella Palatina only in 1773. However, he fell ill in 1775, and his concert appearances became much less frequent. He died two years later. As a composer, he only left a few works, including a set of six sonatas for violin and bass (1769), a chamber trio, and some religious works. He was regarded as a violinist of technical and expressive brilliance, and he retained his reputation until the middle of the 19th century. His brothers, Pietro Luigi Manfredi (1744-?) and Vincenzo Ferrerio Manfredi (1732-?), were a horn player and a flautist, respectively.

divendres, 6 de març del 2026

KÜFFNER, Wilhelm (1727-1797) - Trio concertante

Johann Baptist Homann (1664-1724) - Accurate Vorstellung der hoch fürstl. bischöffl. Residenz und Haupt-Stadt Würtzburg des Herzogthums Francken


Wilhelm Küffner (1727-1797) - Trio concertante aus 'Trio ex C | Cembalo Solo | con | Violino e Basso'
Performers: Pro Musica da Cambra ensemble
Further info: Würzburger Hofmusik

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German violinist and composer. Almost nothing is known about him. Born into a musical family, he studied in Venice before joining the Würzburg court chapel under Prince-Bishop Adam Friedrich von Seinsheim, a position he held for the rest of his life. As a composer, his extant output includes two symphonies, two concertos, various quartets and trios, as well as songs and keyboard sonatas. The family’s musical legacy was furthered by his sons, Joseph Küffner (1776-1856) and Johann Joseph Baptist Küffner (1770-1833), and his cousin Georg Joseph Küffner (1747-1779), who was also a violinist.

dimecres, 4 de març del 2026

MALZAT, Ignaz (1757-1804) - Concert für Hautbois (c.1795)

Alexandre Lacauchie (1814-1886) - Bal d'enfants


Ignaz Malzat (1757-1804) previously attributed to Joseph Haydn (1732-1809) - Concert (C-Dur) | für | Hautbois | Mit Begleitung | von | 2 Violinen | 2 Oboen | 2 Hörnern | 2 Trompeten und | Paucken | Viola und Bass (c.1795)
Performers: Kurt Kalmus (1920-2012, oboe); Munchener Kammerorchester; Hans Stadlmair (1929-2019, conductor)

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Austrian composer and oboist. Son of Josef Malzat (1723-1760), he studied with his father. In 1774 he obtained a position as oboist in the court orchestra in Salzburg, becoming a student of Johann Michael Haydn. In 1778 he toured central Europe before settling in Bolzano, but in 1788 he obtained the post of principal oboe at the court of the Prince-Archbishop of Passau. As a composer, his extant works include concertos for cello, oboe, two oboes, and oboe and bassoon. He also left a sextet, a quintet, a cassation and three wind partitas. His music reflects the style of his teacher, but it has been little studied. His brother Johann Michael Malzat (1749-1787) was a cellist and composer.

dilluns, 2 de març del 2026

HAEFFNER, Johann Christian Friedrich (1759-1833) - Ouverture in Es-Dur

Johan Way (1792-1873) - Karl XIV Johan vid Uppsala högar


Johann Christian Friedrich Haeffner (1759-1833) - Ouverture in Es-Dur (1822)
Performers: Orchestra of the Royal Swedish Opera; Philip Brunelle (conductor)

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German organist and composer, active in Sweden. The son of a schoolmaster and church organist in Klein-Schmalkalden, he received his first musical education with the Schmalkalden organist Johann Gottfried Vierling. He studied in Leipzig from 1776, and then worked as a music conductor in theatres in Frankfurt am Main and Hamburg (1778-80). In 1781, he moved to Stockholm at the invitation of the German congregation there (Tyska kyrkan) to assume the position of organist, which he held until 1793. The same year, he was employed at the Royal Theatre in Stockholm as well as conductor of the orchestra for the Stenborg theatres. In 1786 he was appointed assistant conductor of the Royal Orchestra (hovkapellet) and from 1795 to 1807 he held the post of hovkapellmästare. He was also an instructor at Dramatens elevskola. He was married twice, first to the Swedish actress and singer Elisabeth Forsselius. Since king Gustaf IV Adolf closed the Royal Opera and its orchestra in 1807, he moved to Uppsala, where he 1808 was appointed Director musices of the university and simultaneously was employed as organist of the cathedral. In Uppsala he organized the studentsång (four-voice male choir singing). This practice rapidly spread to the other Nordic universities and is still today a coveted tradition, not only among university students, but for the last century also in many male choirs all over Sweden. Hæffner's passion and work for this has rendered him the name Studentsångens fader. As a composer, he wrote three operas, among them the well-known 'Electra', theatre music, a mass, one symphony (1795), three Overtures (c.1798-1823), keyboard and chamber works, songs with piano accompaniment, and was responsible for the new Swedish chorale book in 1819. Noteworthy is his oratorio 'Försonaren på Golgatha'. His music is heavily influenced by the German Sturm und Drang.

diumenge, 1 de març del 2026

CAZZATI, Maurizio (1616-1678) - Messa per li defonti (1663)

Unknown artist after Hieronymus Francken (1578-1623) - Le roi David jouant de la harpe


Maurizio Cazzati (1616-1678) - Messa per li defonti A Cinque Voci ... Op.31 (1663)
Performers: Maria Cristina Kiеhr (soprano); Dominique Vissе (countertenor); Bruno Botеrf (tenor);
François Fauchе (bass); Marc Busnеl (bass); Ensemble La Fenice; Jean Tսbéry (conductor)

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Italian composer and organist. Nothing is known about his early years. He may have been appointed to his first musical position at the age of 17, at San Pietro, Guastalla, serving Ferrante III, Duke of Guastalla. After his ordination to the priesthood he became maestro di cappella and organist of San Andrea, Mantua, in 1641. In 1648 he was appointed the same post at the Accademia della Morte in Ferrara and at the church of Santa Maria Maggiore in Bergamo in 1653. He returned to his old job in Ferrara in April 1657 and then was elected to the post where he would make his reputation, maestro di cappella at San Petronio, Bologna, in late 1657. He instituted a regular choir of 35 singers and a group of well-paid instrumentalists for the liturgy at San Petronio, but despite the audible improvements he made and the reputation he built, his tenure there was marked by politically motivated controversies over the syntax in his sacred compositions. The vestry supported him, but he was finally forced out in June 1671. He went to Mantua to serve the Gonzaga family as maestro di cappella di camera and the cathedral as maestro di cappella in a post he held the rest of his life. As a composer, he reformed the 'cappella musicale' at the church of San Petronio in Bologna and established its reputation as a center of excellent music in general and as the origin of the sonata for trumpet and strings in particular with his Opus 35 (1665). He published 10 volumes of instrumental music, including the first violin sonatas published by a San Petronio composer, his Opus 55 (1670). There are also 10 volumes of secular vocal music, 4 lost operas, 11 lost oratorios, and 46 volumes of sacred music.