dilluns, 26 d’octubre del 2026

JARNOVIC, Ivan Mane (1747-1804) - Concerto a Violon Principal (1776)

Louis Charles Ruotte (1754-1806) - L'Escamoteur, from Cinq Costumes Parisiens, (1804)


Ivan Mane Jarnović (1747-1804) - Concerto a violon principal, premier, second, alto et basse,
deux hautbois, deux cors ad libitum... [1er en la] (1776)
Performers: Paul Yeager (violin); Starling Chamber Orchestra; Kurt Sassmannshaus (conductor)
Further info: Violin Concertos

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Croatian violinist and composer. Son of Ivan Marija Jarnović and Marija de Marchi, he was born on board a ship bound for Italy from Dubrovnik [now Croatia], and baptized two days later in Palermo. At an early age he may have been sent to study with Antonio Lolli, and in 1773 he made his debut at the Concerts spirituels in Paris after having arrived there in 1770. His performance was successful enough to launch a career as a traveling virtuoso throughout Europe. This success was soon followed by stories about his scandalous and quarrelsome behaviour. He gave frequent public performances until 1777, when he probably became leader of the orchestra for Prince Rohan-Guémémee. In 1779 he suddenly left Paris, reportedly under questionable circumstances. After appearing in Frankfurt he went to Berlin where he was appointed leader of the orchestra to the Crown Prince of Prussia late in 1779. Less than three years later he left because of quarrels with the cellist Jean-Pierre Duport. He played in Warsaw in September 1782 and early the next year went to St Petersburg where he entered the service of Catherine II. In 1786 he went to Vienna and made an excellent impression on such discerning artists as Joannes Carolus Diters von Dittersdorf, Leopold Mozart and Vojtech Matyáš Jírovec. Early in 1791 he began to play regularly in London. He was repeatedly successful at Salomon’s Hanover Square series and took part in Joseph Haydn’s first benefit concert. Once again his personality created difficulties. William Thomas Parke reported that he behaved arrogantly to royalty at the Duke of York’s house, and Ernst Ludwig Gerber that he nearly provoked a duel with Johann Baptist Cramer. Towards the end of 1796 he left London. For the next six years he reportedly lived in Hamburg, more active as a billiard player than as a violinist. In 1802 he played in St Petersburg, where he was once again given a place in the court orchestra, probably as leader. He held the position until he died of a stroke apparently suffered during a game of billiards. Ivan Mane Jarnović was known as a facile and progressive violinist, a rival of Giovanni Battista Viotti, with whom he was close friends, he helped to create the French school of violin playing. His own works largely reflect this focus and include 22 violin concertos, seven symphonies, six string quartets, 10 duos, and seven sonatas. His most important compositions are his violin concertos, which evidently reflect his performing style. Simple in texture and harmony, clear in structure, and charming but limited in expression, they epitomize the later stages of the galant style.

diumenge, 25 d’octubre del 2026

D'HELFER, Charles (1598-1661) - Missa pro defunctis (1656)

School of Lucca (17th Century) - A Concert


Charles d'Helfer (1598-1661) - Missa pro defunctis, quatuor vocum... (1656)
Performers: A Sei Voci; Les Sacqueboutiers; Bernard Fabre-Garrus (1944-2006, conductor)

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French composer. Nothing is known of his youth and music formation. He was documented in Soissons in 1648 serving as a priest and as a 'maître de musique'. In 1653 he was appointed by decree chaplain of one of the 12 chapels in the cathedral. Three years later he described himself as 'simphoneta simphoniarca', that is, music master to the children in the choir school, and later he became a canon. Helfer is known to have composed only Latin sacred music, particularly a cappella masses, four of which are his only surviving works. He wrote them in sparingly ornamented counterpoint whose melodic lines are remarkable for their fluid elegance. He did not adhere at all strictly to the traditional modal system but made much use of major-minor tonality. His masses were esteemed by connoisseurs and long remained in the repertory of the best choirs; some of them were in print as late as 1729. Moreover, Sébastien de Brossard, reported in his manuscript Catalogue of 1724 that the Missa Deliciae regum "still delights people with good taste". In particular the Missa pro defunctis (1656) had a surprisingly long history. It was sung for the obsequies of Michel-Richard Delalande in 1726.

divendres, 23 d’octubre del 2026

TOUCHEMOULIN, Joseph (1727-1801) - Sinfonia ex D (1795)

Anonymus (18th Century) - Copy of a concert ticket with a group of eleven musicians playing various instruments in an interior with a Venetian window


Joseph Touchemoulin (1727-1801) - Sinfonia ex D. | à | Violino primo. | Violino Secondo.
| Corno primo. | Corno Secondo. | Violetta | e | Basso (1795)
Performers: Lеs Invеntions; Pаtrick Ayrtοn (conductor)
Further info: Symphonies–D major

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French violinist and composer. The son of an oboist, he received his early training from his father before being sent to Italy to study under Giuseppe Tartini. Returning to Bonn in 1753 he served as a violinist at the court and later, in 1760, was appointed Kapellmeister. He left only a year later, however, to take up a position as violinist at the Thurn und Taxis court in Regensburg, where he spent the rest of his career. His music contains a similar style to the Mannheim composers. His surviving works include an opera, a Mass, a Requiem, six symphonies, 13 concertos (violin and flute), a string quartet, a divertimento, four violin sonatas, numerous Lieder, and a host of smaller chamber works. Of his three children, two are known to have been musicians, his daughter Anna Catharina Touchemoulin (1757-1844), who was singer and pianist, and his son Egidius or Ludwig Touchemoulin (1759-1830), who by about 1777 was a violinist in his father's orchestra and in 1787 became its leader.

dimecres, 21 d’octubre del 2026

LECLAIR, Jean-Marie (1697-1764) - Suite 'Scylla et Glaucus' (1746)

Jacques Sébastien Leclerc (c.1734-1785) - Personnages autour d'une fontaine lisant et filant


Jean-Marie Leclair (1697-1764) - Suite 'Scylla et Glaucus' (1746)
Performers: English Chamber Orchestra; Raymond Leppard (1927-2019, conductor)
Further info: Scylla et Glaucus

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French composer, violinist and dancer. His father was the master lacemaker and cellist Antoine Leclair. He studied violin, dancing, and lacemaking in his youth, excelling in all three. He then began his career as a dancer at the Lyons Opera, where he met Marie-Rose Casthagnie; they were married in 1716. About 1722 he went to Turin, where he was active as a ballet master. During a visit to Paris in 1723 to arrange for the publication of his op.1, a distinguished set of sonatas, he acquired a wealthy patron in Joseph Bonnier. Returning to Turin, he wrote ballets for the Teatro Regio Ducale and also received instruction from Giovanni Battista Somis. He then made a series of appearances at the Concert Spirituel in Paris in 1728. He also visited London, and then made a great impression when he played at the Kassel court with Pietro Locatelli. He subsequently received additional instruction from Andre Cheron in Paris. After the death of his first wife, he married Louise Roussel (1700-c.1774) in 1730; she engraved all of his works from op.2 forward. From 1733 to 1737 he served as 'ordinaire de la musique du roi' to Louis XV. He then entered the service of Princess Anne at the Orange court in the Netherlands in 1738, and was honored with the Croix Neerlandaise du Lion. He was active three months of the year at the court, and, from 1740, spent the remaining months as maestro di cappella to the commoner François du Liz at The Hague. He returned to Paris in 1743. With the exception of a brief period of service with the Spanish Prince Don Philippe in Chamhery in 1744, he remained in Paris for the rest of his life. From 1748 until his death, he was music director and composer to his former student, the Duke of Gramont, who maintained a private theater in the Parisian suburb of Puteaux. He separated from his wife about 1758. He was murdered as he was entering his home. The Paris police report listed three suspects: His gardener (who discovered his body), his estranged wife, and his nephew, the violinist Guillaume-François Vial, with whom he was on poor terms. The evidence clearly pointed to the nephew, but he was never charged with the deed. As a violinist, he was the founder of the French violin school. He was also a distinguished composer who successfully combined the finest elements of the Italian and French styles of his day. His brothers Jean-Marie Leclair [le cadet] (1703-1777), Pierre Leclair (1709-1784) and Jean-Benoît Leclair (1714-c.1759) were also violinists and composers. 

dilluns, 19 d’octubre del 2026

KOHL, Leopold (1753-c.1802) - Quatuor concertant

Jean-Baptiste Pillement (1728-1808) - Pastoral scene


Leopold Kohl (1753-c.1802) - Quatuor concertant des
'Six Quatuors concertants pour cor, violon, alto et basse... Oeuvre III'
Performers: AIеssio AIIеgrini (horn); SoIisti deIIa ScaIa MiIano
Further info: La Grande Fanfare

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Bohemian composer and horn player. He received his earliest musical training as a chorister in Prague before mastering the horn, an instrument on which he gained distinction as a virtuoso performer. Prior to establishing himself in Paris in 1784, he served as court music director to Prince Lobkowitz in Bílina, Bohemia. During his Parisian period, he published three collection of 'Quatuors concertants pour cor, violon, alto et basse' (Opus 1, 2, and 3; c.1781-1802).