Obra de Carlo Saraceni (1579-1620), pintor italià (1)
- Recordatori de Francesco Durante -
En el dia de la commemoració del seu 260è aniversari de decés
Parlem de Pintura...
Carlo Saraceni (Venècia, 1579 - Venècia, 16 de juny de 1620) va ser un pintor italià. El 1598 es va traslladar a Roma, unint-se a l'Accademia di San Luca el 1607. Tot i que mai va visitar França, parlava un francès fluid i va tenir seguidors francesos. Les seves pintures no obstant van mostrar influències dels paisatges densament boscosos i amb figures humanes del pintor alemany resident a Roma Adam Elsheimer. En aquest sentit, Saraceni va pintar sis paisatges que il·lustraven El vol d'Ícar (Museo di Capodimonte, Nàpols), Moisès i les filles de Jethro (National Gallery, Londres) i Mart i Venus (Museu d'Art, São Paulo). Més tard va rebre una marcada influència de Caravaggio, pel que fa a les seves figures monumentals o en els detalls naturals, de manera que es va situar entre els primers "tenebristes" o "caravaggistas". La seva carrera de maduresa es va desenvolupar en la dècada posterior al 1610. El 1616-17 va col·laborar amb els frescos per a la Sala Règia al Palazzo Quirinale de Roma. El 1618 va rebre un encàrrec per dues pintures per a l'Església de S. Maria dell' Anima. El 1620 va tornar a Venècia, on va morir el juny d'aquell any.
Font: En català: No disponible - En castellano: Carlo Saraceni (1579-1620) - In english: Carlo Saraceni (1579-1620) - Altres: Carlo Saraceni (1579-1620)
Parlem de Música...
Francesco Durante (Frattamaggiore, 31 de març de 1684 - Napoli, 30 de setembre de 1755) va ser un compositor italià i un dels més destacats del barroc tardà a Europa. El setè fill de Gaetano Durante i Orsola Capasso, es va formar inicialment amb el seu pare, un antic cantant a S Maria degli Angeli e S Sossio de Frattamaggiore. Posteriorment, va estudiar amb el seu oncle Don Angelo Durante (c.1650-c.1704), primo maestro del Conservatori San Onofrio de Nàpols, fins el 1705 any en què Francesco va publicar la seva primera obra, el breu drama Prodigii della divina misericordia verso I devoti del glorioso S Antonio di Padova, estrenat a Nàpols. El seu rastre es perd fins el 1728 any en què va assolir el càrrec de primo maestro al Conservatori dei Poveri di Gesù Cristo de Nàpols. Pel que sembla, també va estudiar a Roma amb Pasquini i Pitoni durant els primers anys del segle XVIII. La influència musical romana en l'obra de Durante ha fet creure en aquesta possibilitat tot i l'absència de registres i documents que així ho acreditin. A partir del 1730 va començar a viatjar per Àustria, Alemanya i Bohèmia països on s'han localitzat nombroses còpies dels seus treballs. Al seu retorn a Nàpols, va assolir diversos càrrecs si bé va mantenir la seva principal dedicació a la docència en el Conservatori on va tenir notables alumnes com Pergolesi, Girolamo Abos, Domènec Terradellas i Joseph Doll, entre molts altres. Després de 10 anys de servei, va renunciar al seu càrrec el setembre de 1739, càrrec que va assumir Francesco Feo. Els tres anys següents Durante va romandre inactiu i no va ser fins el 1742 que va accedir a un càrrec al Conservatori di S Maria di Loreto de Nàpols, amb alumnes com Piccini, Paisiello o Jommelli, i on hi va treballar el 13 anys següents, fins el setembre de 1755, any de la seva mort.
OBRA:
Vocal music is with instruments unless otherwise stated; only autographs, unique or rare copies and extensive collections are noted
Vocal religiosa:
Sacred dramas:
Prodigii della divina misericordia verso I devoti del glorioso S Antonio di Padova (scherzo drammatico, A. Rolandi), Naples, street perf., 13 June 1705, music lost, lib I-Nn
La cerva assetata ovvero L’anima nelle fiamme della gloria (dramma sacro), Naples, 18 Feb 1719, lost
5 (monodic) choruses for Flavio Valente (tragedy, Duke Annibale Marchese), in A. Marchese dei Marchesi di Camerota: Tragedie cristiane (Naples, 1729), D-Bsb, I-Bc, Mc, Nc
Abigaile (dramma sacro), Rome, Oratorio de’ RR PP della S Filippo Neri, 22 Nov 1736, music lost, lib C-Tu
S Antonio di Padova (dramma sacro, G. Terribilino), Naples, Oratorio de’ RR PP della Congregazione di S Filippo Neri, 1753, I-Vsmc
Masses, mass movements:
25 masses (Ky-Gl):
Missa S Ildefonsi, e, 5vv, 1709, D-MÜs*;
Missa breve, F, 4vv, 1734, F-Pc*; G, 8vv, 1742, GB-Lbl [4vv missing];
Missa in afflictionis tempore, F, 5vv, 1749, F-Pc, GB-Lbl*, I-Nc [without obs];
A, 8vv, 1753, F-Pc, GB-Lbl*;
C, 8vv, CZ-Pak;
C, 5vv, D-Dlb [2 copies, 1 with Cr, a, 4vv, and alterations by J. Zelenka], I-Fa;
Missa col canto fermo, D, 5vv, F-Pc, GB-Lbl*, I-Nc;
Missa in pastorale, D, 4vv, Nc, Plp, Plst;
D, 4vv, F-Pc [solo vv missing];
D, 4vv, GB-Lbl;
D, 4vv (SSAB), I-Nc;
F, 3vv (SSB), bc, BGi*;
G, 5vv, GB-Lbl;
G, 4vv, I-PAc;
Missa in pastorale, A, 4vv, F-Pc, GB-Lbl*;
Missa in pastorale, A, 4vv, I-Rvat;
B , 5vv, CZ-Pak, D-Dlb [with addns and alterations by Zelenka];
B , 4vv, CZ-Pak [2 copies, 1 attrib. Pellegrini];
B , 4vv, Pak [2 copies, 1 attrib. Ursini];
B , 4vv, F-Pc, GB-Lbl [Qui tollis is separate], I-Nc [no Qui tollis];
c, 5vv, F-Pc; c, 4vv, CZ-Pak, D-LEbh [with autograph alterations by J.S. Bach, seebwv, Anhang 26, and without attrib. to Durante];
d, 4–8vv, D-Müs [incl. separate copy of a Gl, C, 4vv, 1724];
a, 5vv, MÜs [attrib. Angelo Durante], US-Bp
2 masses (Ky-Gl-Cr), both doubtful:
G, 4vv, NL-At;
a, 5vv, F-Pc
3 a cappella mass cycles:
C, 3vv (ATB), org, GB-Lcm;
C (without Cr), 3vv (TTB), org, D-Bsb, F-Pc, Vnm, ed. in Musica sacra, ii/11 (n.d.);
Missa in Palestrina, d, 4vv, org, F-Pc, GB-Lbl, I-BGc, Nc [dated 17–18 Oct 1739] and over 30 other copies, ed. V. Dufaut (Paris, 1821)
Mass cycle, a, 3vv (SSB), org, Mc [2 copies, 1 with Funzione delle palme, 4vv, org, and proper of mass for Palm Sunday (int, grad, off, post communion)]
Gl, D, 8vv, GB-Lcm;
Cr, D, 4vv, I-Mc;
Cr, D, 4vv, Mc;
Cr, G, 4vv, F-Pc, GB-Lbl*;
Cr, G, 4vv, F-Pc, GB-Lbl*;
Cr, A, 4vv (SSTB), I-Nc, Td;
Cr, a, 4vv, D-Dlb [with mass, C, 5vv, and addns by Zelenka];
Cr-San-Benedictus-Ag, D, 4vv, F-Pc
3 Requiem masses:
c, 8vv, Pc, GB-Lbl* [dated 1746];
g, 4vv, F-Pc, I-Mc, Nc [dated 1755], Nf [dated 27 Nov 1738];
a, 3vv (SSB), D-Mbs, MÜs
3 Requiem masses, all doubtful:
F, 4vv, I-Bc;
F, 4vv, Sd;
G, 3vv (SSB), GB-Lbl, inc.
Other sacred vocal:
13 motets:
Ad presepe venite (Motetto in pastorale), 4vv, GB-Lbl*;
Ave virgo sancti amoris, S, Lbl*;
Cessent corda, D, 5vv, Lbl*;
Cito pastores (à pastorale), 4vv, Lbl*, I-Nc [O sapienta eterna];
Ecce pietatis [Dormine benigne Jesu] (Nonna in pastorale), S, Nc;
Inter choros virginales, 5vv, GB-Lbl;
Jam si redit luminosa, 8vv, Lbl*;
Jam videtur, 4vv, 1743, F-Pc, GB-Lbl [Inter coeli delitias];
O vos chori triumphales, CZ-Pak;
Sacerdotes sancti, S, A, ?1713, D-MÜs;
Surge aurora, 4vv, GB-Lbl*;
Surge fama, 5vv, Lbl*;
Tacete sonate, 4vv, Lbl*
Ants, hymns, offs, seqs:
Alma Redemptoris, E , B, Dec 1739, Lbl, ed. in Musique sacrée, vii (Paris, n.d.);
Alma Redemptoris, g, S, 1739, A-Wn;
Ego sum panis, 4vv, bc, GB-Lbl;
Inviolata integra, S, F-Pc, GB-Lbl, ed. A. Lafitte (Paris, 1859);
Iste confessor, 4vv, Lbl; O divi amoris (Inno per S Francisci), 4vv, Lbl*;
O glorioso Domina, A, 5vv, Lbl;
Pange lingua, 5vv, Lbl, Tantum ergo ed. in Musique sacrée, xviii (Paris, n.d.);
Per signum crucis, 4vv, org, I-Mc, ed. F.X. Witt, Cantus sacris (Regensburg, 1874);
Salve flos (cantus de scto Wenceslao Martyre), S, C-BM;
Salve regina, F, B, Nc;
Salve regina [per il Sigr Praun], d, B, 1739, GB-Lbl*;
Salve regina, d, B, B, unacc., 1753, Lbl*, ed. in Musica sacra, iii (n.d.);
Salve regina [per gli alunni del Conservatorio di S Onofrio], c, S, D-MÜs;
Stabat mater, S, S, A, (SA), org, F-Pc [frags.*];
TeD, 5vv, Pc, GB-Lbl, I-Ac [4vv], Nc [4vv];
Veni sponsa Christi, D, 4vv, F-Pc;
Veni sponsa Christi, D, 5vv, GB-Lbl*;
Vexilla regis, 4vv, F-Pc, GB-Lbl*, ed. in Musique sacrée (Paris, n.d.)
Canticles:
Mag, D, 4vv, bc, A-Wn, D-Mbs;
Mag, B , 5vv, I-Nc*, revised version, 4vv, D-Dlb, F-Pc, I-BGc [attrib. G.B. Pergolesi], Nc, ed. D. Hellmann (Stuttgart, 1968), arr., 4vv, org, D-MÜs [dated 1746], F-Pc, I-Nc, Rvat, arr. G. Jannaconi, 8vv, org, D-MÜs, inc.;
Mag, B , 4vv, I-PIp;
Mag, B , 4vv, org, A-Wn, D-Mbs;
Mag, E , 4vv, Bsb*, arr. 3vv (SSB), org, Bsb*, I-Mc;
Mag, a, 4vv, org, Mc;
Mag, a, 4vv, GB-Lbl, I-Nc, US-BE;
Mag, a, 8vv, 1752, F-Pc, GB-Lbl*;
Nunc dimittis, 5vv, 1749, Lbl
Pss:
Beatus vir, C, 4vv, Lbl;
Beatus vir, C, 4vv, Lbl;
Beatus vir, C, 5vv, ?1715, D-MÜs;
Beatus vir, A, 5vv, ?1735, MÜs, attrib. Francesco Feo, Dlb, I-Fn*;
Beatus vir, F, 4vv, D-Bsb [misattributed to Pergolesi], F-Pc, GB-Lbl;
Benedictus Dominus Deus Israel, 3vv (SSB), org, I-Mc;
Confitebor, D, 1v, Nov 1744, F-Pc, GB-Lbl*;
Confitebor, A, 4vv, Lbl;
Confitebor, a, 4vv, I-Sd;
Confitebor, c, 4vv, org, D-WRgs;
Crediti, 4vv, org, I-Mc;
De profundis, 8vv, org, D-WRgs;
De profundis, a, 8vv, org, WRgs;
Dixit Dominus, D, 4vv, F-Pc, GB-Lbl;
Dixit Dominus, D, 5vv, A-Wn, B-Bc;
Dixit Dominus, D, 5vv, 1751, F-Pc, GB-Lbl*,
Dixit Dominus, D, 5vv, D-MÜs;
Dixit Dominus, D, 8vv, 1753, F-Pc, GB-Lbl*;
Dixit Dominus, D, 8vv, F-Pc, GB-Lbl*;
Dixit Dominus, F, 8vv, Lbl;
Dixit Dominus, B , 3vv [SSB], bc, Lbl*;
Laetatus sum, a, 4vv, F-Pc, GB-Lbl;
Laudate pueri, C, 4vv, bc, D-MÜs, Dlb, I-Vnm;
Laudate pueri [detto il Grottesco], G, 4vv, D-MÜs [dated 1732], F-Pc, GB-Lbl?* [dated 7 Dec 1731];
Laudate pueri, G, 8vv, F-Pc, GB-Lbl, I-Nc (arr. 4vv);
Laudate pueri, D, 8vv, 1714, D-MÜs;
Laudate pueri, A, 1v, GB-Lbl*;
Miserere per la Chiesa di S Nicolò di Bari, 5vv, org, D-MÜs [misattributed to A. Sacchini], GB-Lbl [dated 1754, inc.], I-Mc [misattributed to P. Cafaro], MOe [dated 1765, ‘fatto 1745’], Nc, US-Lc;
2 Misericordias Domini, 8vv, org, A-Wn, D-Bsb, MÜs, F-Pc, I-Mc, Nc, GB-Lbl [1 setting only, both ed. G. Goebel, Die Motette (Neuhausen-Stuttgart, 1974);
Nisi Dominus, 4vv, D-MÜs
Vespro breve (Dixit Dominus, C, 4vv; Confitebor, e, 4vv; Beatus vir, c, 3vv; Laudate pueri, A, 4vv; Mag, c, 4vv), Bsb [Mag, 4vv, org, only], MÜs [Mag, 4vv, org, only], WRgs [Mag, 4vv, org, only], F-Pc, GB-Lbl, I-Mc [Dixit Dominus, Confitebor and Beatus vir only], Nc
Dixit Dominus solenne, 4vv (Dixit Dominus, d; Confitebor, g; Beatus vir, B ; Laudate pueri, D; Laudate Dominum, F; Mag, G), CZ-Pak
Vesper pss with canticle, 4vv, org (Dixit, D; Dixit, C; Confitebor; Beatus vir; Laudate pueri; Lauda Jerusalem; Crediti; In convertendo Domine; Mag; Laetatus sum; Nisi Dominus), I-Mc
3 Lessons for Christmas Day: nocturn 1/I–III, S, S, B, org, Mc
Lessons for Holy Week: Maundy Thursday:
nocturn 1/I, S, S, B, org, GB-Lbl, Lcm, I-Mc, nocturn 1/II, S, S, B, org, Mc, nocturn 1/III, S, S, B, org, GB-Lcm [dated 1752], I-Fc*, Mc;
Good Friday: nocturn 1/I, S, S, B, org, GB-Lbl, Lcm, I-Fc*, Mc, nocturn 1/II, GB-Lbl, Lcm, I-Fc*, Mc, nocturn 1/II, S, 2 other vv, org, GB-Lbl, Lcm [dated 1751], I-Mc, nocturn 1/III, S, S, B, org, Fc*, Mc;
Holy Saturday: nocturn 1/I, S, org, GB-Lbl, Lcm, I-LU, Mc, nocturn 1/II, S, S, B, org, Mc, nocturn 1/III, S, org, Mc
3 Lamentations for Holy Saturday, with insts:
De Lamentatione Jeremiiae Prophetae, f, S, A-Wn, D-Bsb, MÜs, GB-Lbl, Lcm, I-BGc, LU, Mc; Aleph Quomodo, c, S, A, A-Wn, GB-Lcm, I-BGc, Mc;
Incipit Oratio Jeremiae Prophetae, g, 4vv, A-Wn, D-MÜs, Dlb, F-Pc, GB-Lbl, Lcm, I-BGc, Mc
Responses, Benedictus, Christus, Miserere for Holy Week, S, S, B, org:
Maundy Thursday: nocturn 1/I–III, F-Pc, I-Fc*, Mc, nocturn 3/I–III, Fc;
Good Friday: nocturn 1/I–III, F-Pc, I-Fc*, Mc, nocturn 3/I–III, Fc;
Holy Saturday: nocturn 1/I–III, F-Pc, I-Fc*, Mc, nocturn 3/I–III, Fc;
Benedictus, Fc, Mc;
Christus factus est, Miserere, F-Pc, I-Fc*, Mc, PS [with addl Requiem aeternam and Et lux perpetua], ed. in Musica sacra (1841)
Si quaeris miracula (Responsorio di S Antonio), S, F-Pc, GB-Lbl*
6 Litanies BMV:
3vv, I-Nf, Rieti;
a, 4vv, GB-Lbl, I-LANc [dated 1731];
e, S, A, F-Pc, GB-Lbl, ed. in Musique sacrée, xxxvii (Paris, n.d.);
e [Breve], 4vv, F-Pc, GB-Lbl, Lcm, I-Mc, Nc;
g, 4vv, B-Br, F-Pc, GB-Lbl, I-Nc, ed. in Musique sacrée, xxxvii (Paris, n.d.);
f, 4vv, 1750, F-Pc, GB-Lbl*, I-Nc
Studies:
Canon cum tribus vocibus, 4vv, D-Bsb, F-Pc, I-BGc
Memento Domino David (motet), 8vv, org, for the Real Capella di Napoli, 21 April 1745, D-MÜs
Protexisti me Deus (motet), 5vv, for the Real Capella di Napoli, 21 April 1745, A-Wn, D-Bsb, LEm, Mbs, MÜs, TRb, F-Pc, GB-Cfm, Lbl, Lcm, I-Baf, Mc, Nc, ed. in Musique sacrée, xxxiii (Paris, c1815) and in The Fitzwilliam Music, iii (London, 1825)
6 Motetti sopra il canto fermo, 4vv, I-BGc
Cantatas, arias, duets, terzettos:
6 Cantate spirituali, A, bc, D-MÜs, GB-Lbl, I-Mc, Nc:
Vincesti pur vincesti [Seneca funato ossia La crudelta di Nerone];
*Dove infelice [L’anima del ricco Epulone parlante nell’Inferno];
Lascia alfin mio cor [Il fine dell’ uomo];
Dunque fra pochi stanti [Il giudizio particolare], also F-Pc;
Chi per pietà [Figliuol prodigo], with Non più figlio [Accoglienza pietosa];
Al risuonar di spaventose [Il giudizio universale]
2 Atti di contrizioni per gli Alunni del Conservatorio di Gesù Cristo, 1v:
De più pene al fiero aspetto (aria), D, F;
Si, se pentita (aria), D, e, D-MÜs
A le sue sponde torna il ruscello, S, bc, GB-Lbl;
Almen se non possio (aria), S, F-Pc; Ciel se mai in giusto sei, S, bc, Pc; De sventura passo lore (aria), S, Pc
XII duetti [madrigali, canzoni] da camera, S, A, bc [based on recits from solo cantatas by A. Scarlatti]:
Andate, o miei sospiri;
Son io, barbara donna;
Qualor tento scoprire;
Alme, voi che provaste;
Mitilde, alma mia;
O quante volte;
Mitilde, mio tesoro;
Fiero, acerbo destin;
La vezzosa Celinde;
Amor, Mitilde, è morta;
Dormono l’aure estive;
Alfin m’ucciderete: principal source, GB-Lbl, arr. S, S, bc with embellishments by G. Masi, 1776, as Duetti per studio di maniera di cantare e per essercizio di accompagnare al cembalo, Lcm, I-Rsc; ed. L. Cherubini (Paris, c1822), ed. F. Maier (Leipzig, 1844), ed. M. Ivanoff-Boretsky (Moscow, 1931)
Solitudine care, S, A, bc, F-Pc [setting of first recit of Scarlatti’s cantata Solitudine, often attached to above duets]
Also attrib. Durante, duets for S, A, bc, from Scarlatti’s cantatas:
Questo silenzio, Dolce piange, Or mentre io dormo, Sia pur sonno di morte, in Canzoni, all Pc;
Deh, mio ben, E pur vuole il cielo, In si duro martire, O penosa lontananza, Cosi pietade [from Flora and Tirsi], all GB-Lbl
Canoni [Terzettos] (P. Metastasio), S, S, S, unacc., D-MÜs, GB-Lbl [inc. and unattributed]:
Ah che il destino;
Al povere d’amore;
Chi vive amante (from Alessandro nel India];
Chi viver vuol contento;
Comincio solo;
Di liberta son privo;
La sorte tiranna;
Mi vien in odio il solfeggiar;
No’ non parlar d’amore;
Perche vezzosirai;
Se un vero amante;
So che vanti un core;
Voi sole
Solfeggios:
Edition: Solféges D’Italie, i (Paris, 1772), ii (Paris, 1786), v (Paris, c1812)
13 duetti, S, S, all in D-MÜs; 12 in Bsb, ed. G.W. Teschner (Berlin, 1869); 11 in F-Pc, GB-Lbl; 6 transposed (A, A) in D-MÜs, Rp, F-Pc
12 duetti per solfeggiare, S, A, D-MÜs, Rp, F-Pc
5 duetti per solfeggiare, S, B, D-MÜs, F-Pc, GB-Lbl, I-Gl, Rrostirolla
Ludus puerorum, S, S, I-Nc; 4 Solfeggi, S, S, bc, Mc
4 canoni e 12 solfeggi, S, A, D-Rp, F-Pc, I-Mc [solfeggios only], MOe
Solfeggios, 1v, bc, D-Mbs, MÜs, F-Pc, GB-Lbl, Lcm, I-Ac, Gl, MAC, Mc, Nc, Rrostirolla, Tn; solfeggios, B, B, F-Pc, GB-Lbl, I-Ac, Fc, MAC, Mc, Nc; solfeggios, Bar/B, BGi; solfeggios, B, GB-Lbl, I-Ac, Mc, Nc
Danza, danza fanunciella, ed. in Arie antiche, ii (Milan, 1890) and in Italian Songs of the 17th and 18th Centuries, ii (New York, 1922/R);
Vergin tutt’amore, ed. F. Caudana (Bergamo, 1954);
Solfeggio detta la stravaganza, ed. R. Luckhardt, Zeitschrift für Spielmusik (Celle, 1986–8)
Instrumental:
9 concerti a quattro, str, bc:
C, e, A, A (La Pazzia), E , B-Bc, D-Dlb, F-Pc (2 copies), I-Gl, Nc, Vc;
f, B-Bc, D-Dlb, F-Pc, I-Gl, LEPastore, Nc, Vc;
A, g, B-Bc, D-Dlb, F-Pc (2 copies), I-Nc, Vc;
B , Gl: ed. A. Lualdi (Milan, 1948), based on Nc MSS;
ed. E. Doflein (Mainz, 1966), f, g, e, based on D-Dlb MSS;
ed. R. Blanchard (Paris, 1970), based on F-Pc MSS
Conc., C, str, I-LEPastore
Conc., B , hpd, str, I-Nc, Vc, ed. F. Degrada (Milan, 1968)
3 concerti da camera (sonatas), 2 vn, bc, arr. of concerti a quattro, C, E , e in Vc
Sonata, A, vn, hpd, F-Pc, GB-Lbl inc.
Keyboard:
6 Sonate per cembalo divisi in studii e divertimenti, g, D, c, A, f, B (Naples, 1747–9/R), D-Mbs, Sl, WRtl, F-Pc, GB-Lbl, I-Nc; ed. P. Carrer (Rome, 1986)
Invertura (ov.), org, C, D-MÜs; Essercizio o sonata, org, C, I-Mc, Nc; Partite (o sonate), Mc, Nc;
3 partiti, c: no.1, GB-Lbl, I-Bc, PLcon, Ria; nos.2–3, PLcon, Ria
Le quattro stagioni del anno, sonata per cembalo, 1747, P-Ln, ed. A. Iesuè (Rome, 1983); as Toccatino sopra le quattro stagioni del anno, I-Ria
[9] Toccate per cembalo, GB-Lbl [no.9 only], I-Mc, Nc, some ed. G. Pannain (Milan, 1930) and in Antologia di musica antica e moderna, xi (Milan, 1932)
Toccata, a, F-Pc, GB-Lbl; toccata, B , I-PAc
Various kbd pieces, GB-Lbl:
c, 3 movts; a, same as toccata no.6, movt 1, I-Nc (see above);
F, = toccata no.6, movt 2, Nc (see above); c;
A, = toccata no.9, Nc (see above);
C, = toccata no.2, Nc (see above);
d (fuga);
F, = toccata no.1, Nc (see above);
d, = toccata no.4, Nc (see above);
d, d, C, 3 movts, = toccata no.8, Nc (see above);
g (minuetto); g; c; C; D, 3 movts, also as Partite (o sonate), Nc (see above);
D; A; D (fuga); D (minuetto);
D; F, 4 movts; c (toccata), 1731, also in Bc [with addl movt], Vc [2 copies, 1 with addl movt];
a (toccata), 2 movts, also in F-Pc
Miscellaneous kbd pieces, I-Ria:
Sonata, org, D, 3 movts, variant version of Partite (o sonate), Nc (see above); D (allegro);
sonata, D (allegro);
c, 4 movts, movts 2 and 3 also in 3 partiti, PLcon (see above);
a (allegro); Fuga, G;
Fuga, a, = toccata no.6, movt 1, Nc (see above)
Addl kbd pieces attrib. Durante:
[6] Sonatas con diverse chiave (Anne Smith, 18 May 1754), GB-Lbl, doubtful;
Sonata fugato, org, g, I-Mc (?M. Santucci);
[6] Toccate per cembalo (Antonius Severino, 1770), nos.1 and 4 (e and F) = fugue movts from Handel Suites, D-Rp, GB-Lbl (no.5 only)
Partimentos:
Regole di partimenti numerati e diminuiti, I-Nc [dated 1761, 1769, 1797];
over 20 MSS, D-MÜs, F-Pc, GB-Cfm [incl. 36 realizations by M. Stecher], I-Bc, Fc, Gl, Mc, MOe [incl. 20 realizations by F. Fenaroli], PAc, PESc, Ria, some ed. K.G. Fellerer, Der Partimento-Spieler (Leipzig, 1940) and J. Napoli, Bassi della scuola napoletano (Milan, 1959)
OBRA:
Vocal music is with instruments unless otherwise stated; only autographs, unique or rare copies and extensive collections are noted
Vocal religiosa:
Sacred dramas:
Prodigii della divina misericordia verso I devoti del glorioso S Antonio di Padova (scherzo drammatico, A. Rolandi), Naples, street perf., 13 June 1705, music lost, lib I-Nn
La cerva assetata ovvero L’anima nelle fiamme della gloria (dramma sacro), Naples, 18 Feb 1719, lost
5 (monodic) choruses for Flavio Valente (tragedy, Duke Annibale Marchese), in A. Marchese dei Marchesi di Camerota: Tragedie cristiane (Naples, 1729), D-Bsb, I-Bc, Mc, Nc
Abigaile (dramma sacro), Rome, Oratorio de’ RR PP della S Filippo Neri, 22 Nov 1736, music lost, lib C-Tu
S Antonio di Padova (dramma sacro, G. Terribilino), Naples, Oratorio de’ RR PP della Congregazione di S Filippo Neri, 1753, I-Vsmc
Masses, mass movements:
25 masses (Ky-Gl):
Missa S Ildefonsi, e, 5vv, 1709, D-MÜs*;
Missa breve, F, 4vv, 1734, F-Pc*; G, 8vv, 1742, GB-Lbl [4vv missing];
Missa in afflictionis tempore, F, 5vv, 1749, F-Pc, GB-Lbl*, I-Nc [without obs];
A, 8vv, 1753, F-Pc, GB-Lbl*;
C, 8vv, CZ-Pak;
C, 5vv, D-Dlb [2 copies, 1 with Cr, a, 4vv, and alterations by J. Zelenka], I-Fa;
Missa col canto fermo, D, 5vv, F-Pc, GB-Lbl*, I-Nc;
Missa in pastorale, D, 4vv, Nc, Plp, Plst;
D, 4vv, F-Pc [solo vv missing];
D, 4vv, GB-Lbl;
D, 4vv (SSAB), I-Nc;
F, 3vv (SSB), bc, BGi*;
G, 5vv, GB-Lbl;
G, 4vv, I-PAc;
Missa in pastorale, A, 4vv, F-Pc, GB-Lbl*;
Missa in pastorale, A, 4vv, I-Rvat;
B , 5vv, CZ-Pak, D-Dlb [with addns and alterations by Zelenka];
B , 4vv, CZ-Pak [2 copies, 1 attrib. Pellegrini];
B , 4vv, Pak [2 copies, 1 attrib. Ursini];
B , 4vv, F-Pc, GB-Lbl [Qui tollis is separate], I-Nc [no Qui tollis];
c, 5vv, F-Pc; c, 4vv, CZ-Pak, D-LEbh [with autograph alterations by J.S. Bach, seebwv, Anhang 26, and without attrib. to Durante];
d, 4–8vv, D-Müs [incl. separate copy of a Gl, C, 4vv, 1724];
a, 5vv, MÜs [attrib. Angelo Durante], US-Bp
2 masses (Ky-Gl-Cr), both doubtful:
G, 4vv, NL-At;
a, 5vv, F-Pc
3 a cappella mass cycles:
C, 3vv (ATB), org, GB-Lcm;
C (without Cr), 3vv (TTB), org, D-Bsb, F-Pc, Vnm, ed. in Musica sacra, ii/11 (n.d.);
Missa in Palestrina, d, 4vv, org, F-Pc, GB-Lbl, I-BGc, Nc [dated 17–18 Oct 1739] and over 30 other copies, ed. V. Dufaut (Paris, 1821)
Mass cycle, a, 3vv (SSB), org, Mc [2 copies, 1 with Funzione delle palme, 4vv, org, and proper of mass for Palm Sunday (int, grad, off, post communion)]
Gl, D, 8vv, GB-Lcm;
Cr, D, 4vv, I-Mc;
Cr, D, 4vv, Mc;
Cr, G, 4vv, F-Pc, GB-Lbl*;
Cr, G, 4vv, F-Pc, GB-Lbl*;
Cr, A, 4vv (SSTB), I-Nc, Td;
Cr, a, 4vv, D-Dlb [with mass, C, 5vv, and addns by Zelenka];
Cr-San-Benedictus-Ag, D, 4vv, F-Pc
3 Requiem masses:
c, 8vv, Pc, GB-Lbl* [dated 1746];
g, 4vv, F-Pc, I-Mc, Nc [dated 1755], Nf [dated 27 Nov 1738];
a, 3vv (SSB), D-Mbs, MÜs
3 Requiem masses, all doubtful:
F, 4vv, I-Bc;
F, 4vv, Sd;
G, 3vv (SSB), GB-Lbl, inc.
Other sacred vocal:
13 motets:
Ad presepe venite (Motetto in pastorale), 4vv, GB-Lbl*;
Ave virgo sancti amoris, S, Lbl*;
Cessent corda, D, 5vv, Lbl*;
Cito pastores (à pastorale), 4vv, Lbl*, I-Nc [O sapienta eterna];
Ecce pietatis [Dormine benigne Jesu] (Nonna in pastorale), S, Nc;
Inter choros virginales, 5vv, GB-Lbl;
Jam si redit luminosa, 8vv, Lbl*;
Jam videtur, 4vv, 1743, F-Pc, GB-Lbl [Inter coeli delitias];
O vos chori triumphales, CZ-Pak;
Sacerdotes sancti, S, A, ?1713, D-MÜs;
Surge aurora, 4vv, GB-Lbl*;
Surge fama, 5vv, Lbl*;
Tacete sonate, 4vv, Lbl*
Ants, hymns, offs, seqs:
Alma Redemptoris, E , B, Dec 1739, Lbl, ed. in Musique sacrée, vii (Paris, n.d.);
Alma Redemptoris, g, S, 1739, A-Wn;
Ego sum panis, 4vv, bc, GB-Lbl;
Inviolata integra, S, F-Pc, GB-Lbl, ed. A. Lafitte (Paris, 1859);
Iste confessor, 4vv, Lbl; O divi amoris (Inno per S Francisci), 4vv, Lbl*;
O glorioso Domina, A, 5vv, Lbl;
Pange lingua, 5vv, Lbl, Tantum ergo ed. in Musique sacrée, xviii (Paris, n.d.);
Per signum crucis, 4vv, org, I-Mc, ed. F.X. Witt, Cantus sacris (Regensburg, 1874);
Salve flos (cantus de scto Wenceslao Martyre), S, C-BM;
Salve regina, F, B, Nc;
Salve regina [per il Sigr Praun], d, B, 1739, GB-Lbl*;
Salve regina, d, B, B, unacc., 1753, Lbl*, ed. in Musica sacra, iii (n.d.);
Salve regina [per gli alunni del Conservatorio di S Onofrio], c, S, D-MÜs;
Stabat mater, S, S, A, (SA), org, F-Pc [frags.*];
TeD, 5vv, Pc, GB-Lbl, I-Ac [4vv], Nc [4vv];
Veni sponsa Christi, D, 4vv, F-Pc;
Veni sponsa Christi, D, 5vv, GB-Lbl*;
Vexilla regis, 4vv, F-Pc, GB-Lbl*, ed. in Musique sacrée (Paris, n.d.)
Canticles:
Mag, D, 4vv, bc, A-Wn, D-Mbs;
Mag, B , 5vv, I-Nc*, revised version, 4vv, D-Dlb, F-Pc, I-BGc [attrib. G.B. Pergolesi], Nc, ed. D. Hellmann (Stuttgart, 1968), arr., 4vv, org, D-MÜs [dated 1746], F-Pc, I-Nc, Rvat, arr. G. Jannaconi, 8vv, org, D-MÜs, inc.;
Mag, B , 4vv, I-PIp;
Mag, B , 4vv, org, A-Wn, D-Mbs;
Mag, E , 4vv, Bsb*, arr. 3vv (SSB), org, Bsb*, I-Mc;
Mag, a, 4vv, org, Mc;
Mag, a, 4vv, GB-Lbl, I-Nc, US-BE;
Mag, a, 8vv, 1752, F-Pc, GB-Lbl*;
Nunc dimittis, 5vv, 1749, Lbl
Pss:
Beatus vir, C, 4vv, Lbl;
Beatus vir, C, 4vv, Lbl;
Beatus vir, C, 5vv, ?1715, D-MÜs;
Beatus vir, A, 5vv, ?1735, MÜs, attrib. Francesco Feo, Dlb, I-Fn*;
Beatus vir, F, 4vv, D-Bsb [misattributed to Pergolesi], F-Pc, GB-Lbl;
Benedictus Dominus Deus Israel, 3vv (SSB), org, I-Mc;
Confitebor, D, 1v, Nov 1744, F-Pc, GB-Lbl*;
Confitebor, A, 4vv, Lbl;
Confitebor, a, 4vv, I-Sd;
Confitebor, c, 4vv, org, D-WRgs;
Crediti, 4vv, org, I-Mc;
De profundis, 8vv, org, D-WRgs;
De profundis, a, 8vv, org, WRgs;
Dixit Dominus, D, 4vv, F-Pc, GB-Lbl;
Dixit Dominus, D, 5vv, A-Wn, B-Bc;
Dixit Dominus, D, 5vv, 1751, F-Pc, GB-Lbl*,
Dixit Dominus, D, 5vv, D-MÜs;
Dixit Dominus, D, 8vv, 1753, F-Pc, GB-Lbl*;
Dixit Dominus, D, 8vv, F-Pc, GB-Lbl*;
Dixit Dominus, F, 8vv, Lbl;
Dixit Dominus, B , 3vv [SSB], bc, Lbl*;
Laetatus sum, a, 4vv, F-Pc, GB-Lbl;
Laudate pueri, C, 4vv, bc, D-MÜs, Dlb, I-Vnm;
Laudate pueri [detto il Grottesco], G, 4vv, D-MÜs [dated 1732], F-Pc, GB-Lbl?* [dated 7 Dec 1731];
Laudate pueri, G, 8vv, F-Pc, GB-Lbl, I-Nc (arr. 4vv);
Laudate pueri, D, 8vv, 1714, D-MÜs;
Laudate pueri, A, 1v, GB-Lbl*;
Miserere per la Chiesa di S Nicolò di Bari, 5vv, org, D-MÜs [misattributed to A. Sacchini], GB-Lbl [dated 1754, inc.], I-Mc [misattributed to P. Cafaro], MOe [dated 1765, ‘fatto 1745’], Nc, US-Lc;
2 Misericordias Domini, 8vv, org, A-Wn, D-Bsb, MÜs, F-Pc, I-Mc, Nc, GB-Lbl [1 setting only, both ed. G. Goebel, Die Motette (Neuhausen-Stuttgart, 1974);
Nisi Dominus, 4vv, D-MÜs
Vespro breve (Dixit Dominus, C, 4vv; Confitebor, e, 4vv; Beatus vir, c, 3vv; Laudate pueri, A, 4vv; Mag, c, 4vv), Bsb [Mag, 4vv, org, only], MÜs [Mag, 4vv, org, only], WRgs [Mag, 4vv, org, only], F-Pc, GB-Lbl, I-Mc [Dixit Dominus, Confitebor and Beatus vir only], Nc
Dixit Dominus solenne, 4vv (Dixit Dominus, d; Confitebor, g; Beatus vir, B ; Laudate pueri, D; Laudate Dominum, F; Mag, G), CZ-Pak
Vesper pss with canticle, 4vv, org (Dixit, D; Dixit, C; Confitebor; Beatus vir; Laudate pueri; Lauda Jerusalem; Crediti; In convertendo Domine; Mag; Laetatus sum; Nisi Dominus), I-Mc
3 Lessons for Christmas Day: nocturn 1/I–III, S, S, B, org, Mc
Lessons for Holy Week: Maundy Thursday:
nocturn 1/I, S, S, B, org, GB-Lbl, Lcm, I-Mc, nocturn 1/II, S, S, B, org, Mc, nocturn 1/III, S, S, B, org, GB-Lcm [dated 1752], I-Fc*, Mc;
Good Friday: nocturn 1/I, S, S, B, org, GB-Lbl, Lcm, I-Fc*, Mc, nocturn 1/II, GB-Lbl, Lcm, I-Fc*, Mc, nocturn 1/II, S, 2 other vv, org, GB-Lbl, Lcm [dated 1751], I-Mc, nocturn 1/III, S, S, B, org, Fc*, Mc;
Holy Saturday: nocturn 1/I, S, org, GB-Lbl, Lcm, I-LU, Mc, nocturn 1/II, S, S, B, org, Mc, nocturn 1/III, S, org, Mc
3 Lamentations for Holy Saturday, with insts:
De Lamentatione Jeremiiae Prophetae, f, S, A-Wn, D-Bsb, MÜs, GB-Lbl, Lcm, I-BGc, LU, Mc; Aleph Quomodo, c, S, A, A-Wn, GB-Lcm, I-BGc, Mc;
Incipit Oratio Jeremiae Prophetae, g, 4vv, A-Wn, D-MÜs, Dlb, F-Pc, GB-Lbl, Lcm, I-BGc, Mc
Responses, Benedictus, Christus, Miserere for Holy Week, S, S, B, org:
Maundy Thursday: nocturn 1/I–III, F-Pc, I-Fc*, Mc, nocturn 3/I–III, Fc;
Good Friday: nocturn 1/I–III, F-Pc, I-Fc*, Mc, nocturn 3/I–III, Fc;
Holy Saturday: nocturn 1/I–III, F-Pc, I-Fc*, Mc, nocturn 3/I–III, Fc;
Benedictus, Fc, Mc;
Christus factus est, Miserere, F-Pc, I-Fc*, Mc, PS [with addl Requiem aeternam and Et lux perpetua], ed. in Musica sacra (1841)
Si quaeris miracula (Responsorio di S Antonio), S, F-Pc, GB-Lbl*
6 Litanies BMV:
3vv, I-Nf, Rieti;
a, 4vv, GB-Lbl, I-LANc [dated 1731];
e, S, A, F-Pc, GB-Lbl, ed. in Musique sacrée, xxxvii (Paris, n.d.);
e [Breve], 4vv, F-Pc, GB-Lbl, Lcm, I-Mc, Nc;
g, 4vv, B-Br, F-Pc, GB-Lbl, I-Nc, ed. in Musique sacrée, xxxvii (Paris, n.d.);
f, 4vv, 1750, F-Pc, GB-Lbl*, I-Nc
Studies:
Canon cum tribus vocibus, 4vv, D-Bsb, F-Pc, I-BGc
Memento Domino David (motet), 8vv, org, for the Real Capella di Napoli, 21 April 1745, D-MÜs
Protexisti me Deus (motet), 5vv, for the Real Capella di Napoli, 21 April 1745, A-Wn, D-Bsb, LEm, Mbs, MÜs, TRb, F-Pc, GB-Cfm, Lbl, Lcm, I-Baf, Mc, Nc, ed. in Musique sacrée, xxxiii (Paris, c1815) and in The Fitzwilliam Music, iii (London, 1825)
6 Motetti sopra il canto fermo, 4vv, I-BGc
Cantatas, arias, duets, terzettos:
6 Cantate spirituali, A, bc, D-MÜs, GB-Lbl, I-Mc, Nc:
Vincesti pur vincesti [Seneca funato ossia La crudelta di Nerone];
*Dove infelice [L’anima del ricco Epulone parlante nell’Inferno];
Lascia alfin mio cor [Il fine dell’ uomo];
Dunque fra pochi stanti [Il giudizio particolare], also F-Pc;
Chi per pietà [Figliuol prodigo], with Non più figlio [Accoglienza pietosa];
Al risuonar di spaventose [Il giudizio universale]
2 Atti di contrizioni per gli Alunni del Conservatorio di Gesù Cristo, 1v:
De più pene al fiero aspetto (aria), D, F;
Si, se pentita (aria), D, e, D-MÜs
A le sue sponde torna il ruscello, S, bc, GB-Lbl;
Almen se non possio (aria), S, F-Pc; Ciel se mai in giusto sei, S, bc, Pc; De sventura passo lore (aria), S, Pc
XII duetti [madrigali, canzoni] da camera, S, A, bc [based on recits from solo cantatas by A. Scarlatti]:
Andate, o miei sospiri;
Son io, barbara donna;
Qualor tento scoprire;
Alme, voi che provaste;
Mitilde, alma mia;
O quante volte;
Mitilde, mio tesoro;
Fiero, acerbo destin;
La vezzosa Celinde;
Amor, Mitilde, è morta;
Dormono l’aure estive;
Alfin m’ucciderete: principal source, GB-Lbl, arr. S, S, bc with embellishments by G. Masi, 1776, as Duetti per studio di maniera di cantare e per essercizio di accompagnare al cembalo, Lcm, I-Rsc; ed. L. Cherubini (Paris, c1822), ed. F. Maier (Leipzig, 1844), ed. M. Ivanoff-Boretsky (Moscow, 1931)
Solitudine care, S, A, bc, F-Pc [setting of first recit of Scarlatti’s cantata Solitudine, often attached to above duets]
Also attrib. Durante, duets for S, A, bc, from Scarlatti’s cantatas:
Questo silenzio, Dolce piange, Or mentre io dormo, Sia pur sonno di morte, in Canzoni, all Pc;
Deh, mio ben, E pur vuole il cielo, In si duro martire, O penosa lontananza, Cosi pietade [from Flora and Tirsi], all GB-Lbl
Canoni [Terzettos] (P. Metastasio), S, S, S, unacc., D-MÜs, GB-Lbl [inc. and unattributed]:
Ah che il destino;
Al povere d’amore;
Chi vive amante (from Alessandro nel India];
Chi viver vuol contento;
Comincio solo;
Di liberta son privo;
La sorte tiranna;
Mi vien in odio il solfeggiar;
No’ non parlar d’amore;
Perche vezzosirai;
Se un vero amante;
So che vanti un core;
Voi sole
Solfeggios:
Edition: Solféges D’Italie, i (Paris, 1772), ii (Paris, 1786), v (Paris, c1812)
13 duetti, S, S, all in D-MÜs; 12 in Bsb, ed. G.W. Teschner (Berlin, 1869); 11 in F-Pc, GB-Lbl; 6 transposed (A, A) in D-MÜs, Rp, F-Pc
12 duetti per solfeggiare, S, A, D-MÜs, Rp, F-Pc
5 duetti per solfeggiare, S, B, D-MÜs, F-Pc, GB-Lbl, I-Gl, Rrostirolla
Ludus puerorum, S, S, I-Nc; 4 Solfeggi, S, S, bc, Mc
4 canoni e 12 solfeggi, S, A, D-Rp, F-Pc, I-Mc [solfeggios only], MOe
Solfeggios, 1v, bc, D-Mbs, MÜs, F-Pc, GB-Lbl, Lcm, I-Ac, Gl, MAC, Mc, Nc, Rrostirolla, Tn; solfeggios, B, B, F-Pc, GB-Lbl, I-Ac, Fc, MAC, Mc, Nc; solfeggios, Bar/B, BGi; solfeggios, B, GB-Lbl, I-Ac, Mc, Nc
Danza, danza fanunciella, ed. in Arie antiche, ii (Milan, 1890) and in Italian Songs of the 17th and 18th Centuries, ii (New York, 1922/R);
Vergin tutt’amore, ed. F. Caudana (Bergamo, 1954);
Solfeggio detta la stravaganza, ed. R. Luckhardt, Zeitschrift für Spielmusik (Celle, 1986–8)
Instrumental:
9 concerti a quattro, str, bc:
C, e, A, A (La Pazzia), E , B-Bc, D-Dlb, F-Pc (2 copies), I-Gl, Nc, Vc;
f, B-Bc, D-Dlb, F-Pc, I-Gl, LEPastore, Nc, Vc;
A, g, B-Bc, D-Dlb, F-Pc (2 copies), I-Nc, Vc;
B , Gl: ed. A. Lualdi (Milan, 1948), based on Nc MSS;
ed. E. Doflein (Mainz, 1966), f, g, e, based on D-Dlb MSS;
ed. R. Blanchard (Paris, 1970), based on F-Pc MSS
Conc., C, str, I-LEPastore
Conc., B , hpd, str, I-Nc, Vc, ed. F. Degrada (Milan, 1968)
3 concerti da camera (sonatas), 2 vn, bc, arr. of concerti a quattro, C, E , e in Vc
Sonata, A, vn, hpd, F-Pc, GB-Lbl inc.
Keyboard:
6 Sonate per cembalo divisi in studii e divertimenti, g, D, c, A, f, B (Naples, 1747–9/R), D-Mbs, Sl, WRtl, F-Pc, GB-Lbl, I-Nc; ed. P. Carrer (Rome, 1986)
Invertura (ov.), org, C, D-MÜs; Essercizio o sonata, org, C, I-Mc, Nc; Partite (o sonate), Mc, Nc;
3 partiti, c: no.1, GB-Lbl, I-Bc, PLcon, Ria; nos.2–3, PLcon, Ria
Le quattro stagioni del anno, sonata per cembalo, 1747, P-Ln, ed. A. Iesuè (Rome, 1983); as Toccatino sopra le quattro stagioni del anno, I-Ria
[9] Toccate per cembalo, GB-Lbl [no.9 only], I-Mc, Nc, some ed. G. Pannain (Milan, 1930) and in Antologia di musica antica e moderna, xi (Milan, 1932)
Toccata, a, F-Pc, GB-Lbl; toccata, B , I-PAc
Various kbd pieces, GB-Lbl:
c, 3 movts; a, same as toccata no.6, movt 1, I-Nc (see above);
F, = toccata no.6, movt 2, Nc (see above); c;
A, = toccata no.9, Nc (see above);
C, = toccata no.2, Nc (see above);
d (fuga);
F, = toccata no.1, Nc (see above);
d, = toccata no.4, Nc (see above);
d, d, C, 3 movts, = toccata no.8, Nc (see above);
g (minuetto); g; c; C; D, 3 movts, also as Partite (o sonate), Nc (see above);
D; A; D (fuga); D (minuetto);
D; F, 4 movts; c (toccata), 1731, also in Bc [with addl movt], Vc [2 copies, 1 with addl movt];
a (toccata), 2 movts, also in F-Pc
Miscellaneous kbd pieces, I-Ria:
Sonata, org, D, 3 movts, variant version of Partite (o sonate), Nc (see above); D (allegro);
sonata, D (allegro);
c, 4 movts, movts 2 and 3 also in 3 partiti, PLcon (see above);
a (allegro); Fuga, G;
Fuga, a, = toccata no.6, movt 1, Nc (see above)
Addl kbd pieces attrib. Durante:
[6] Sonatas con diverse chiave (Anne Smith, 18 May 1754), GB-Lbl, doubtful;
Sonata fugato, org, g, I-Mc (?M. Santucci);
[6] Toccate per cembalo (Antonius Severino, 1770), nos.1 and 4 (e and F) = fugue movts from Handel Suites, D-Rp, GB-Lbl (no.5 only)
Partimentos:
Regole di partimenti numerati e diminuiti, I-Nc [dated 1761, 1769, 1797];
over 20 MSS, D-MÜs, F-Pc, GB-Cfm [incl. 36 realizations by M. Stecher], I-Bc, Fc, Gl, Mc, MOe [incl. 20 realizations by F. Fenaroli], PAc, PESc, Ria, some ed. K.G. Fellerer, Der Partimento-Spieler (Leipzig, 1940) and J. Napoli, Bassi della scuola napoletano (Milan, 1959)
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Informació addicional...
RECICLASSICAT: DURANTE, Francesco (1684-1755)
AMAZON: DURANTE, F. - Lamentationes Jeremiae Prophetae & Vespro Breve
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