diumenge, 29 d’octubre del 2023

HASSLER, Hans Leo (1564-1612) - Missa V super Ecce quam bonum (1599)

Frans Floris (1519-1570) - Family portrait


Hans Leo Hassler (1564-1612) - Missa V super Ecce quam bonum (1599)
Performers: Rеgеnsburger Domspatzen; Georg Ratzinger (1924-2020, conductor)

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German composer, son of the organist Isaak Hassler (c.1530-1591) and brother of Kaspar Hassler (1562-1618) and Jakob Hassler (1569-1622). He began his musical training with his father, then in 1584 continued his education in Venice, where he was a pupil of Andrea Gabrieli. He was named chamber organist to Octavian II Fugger in Augsburg in January 1586, and quickly established himself as one of the leading musicians in Germany. In 1591 the emperor granted him the privilege of copyrighting his compositions. He was ennobled by the emperor in 1595, and was given a coat of arms and the title of Hassler von Roseneck in 1604. While in Augsburg, he also became active as a manufacturer of mechanical musical instruments, an enterprise that led to numerous litigations with business rivals. After Octavian's death in 1600, he was made director of the town music in Augsburg. He also served as Kaiserlicher Hofdiener to the court of Emperor Rudolf II, a position which may have been purely honorary. He obtained a year's leave of absence from Augsburg for a stay in Ulm in 1604, and then decided to remain there the following year; became a citizen of Ulm in 1607 and a member of its merchants' guild in 1608. He was appointed the Saxon electoral chamber organist in Dresden in 1608, and later assumed the duties of Kapellmeister. Following his move to Dresden, he was stricken with tuberculosis. He died during the visit of the court chapel to Frankfurt am Main for the election and coronation of Emperor Matthias. Hassler excelled as a composer of both sacred and secular vocal works. His sacred compositions reflect the influence of Lassus and others of the Venetian school, while his secular compositions display a pronounced individuality. His organ music follows the precepts of Andrea and Giovanni Gabrieli.

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