divendres, 27 de desembre del 2024

WEICHSELL, Elizabeth (1765-1818) - Lessons for the Harpsichord (1773)

Teodoro Matteini (1754-1831) - La soprano Elizabeth Billington (1797)


Elizabeth Weichsell (1765-1818) - Lessons (I & II) for the Harpsichord from 'Three lessons [D, Es, A] for the harpsichord or piano forte ... by Elizabeth Weichsell, a child eight years of age. [London, Welcker]' (1773)
Performers: Pau NG on Sibelius with samples of a German harpsichord (18th Century)

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English singer and composer. Daughter of the singer Frederika Wierman (c.1745-1786) and the oboist Carl Weichsell, she received early music lessons from her parents. She made her debut as a child in 1775 and studied under Johann Christian Bach and Johann Friedrich Schroeter. On 13 October 1783 she was married under her mother's maiden name, Wierman, at Lambeth Church to James Billington, a double-bass player in the Drury Lane orchestra, from whom she had had lessons in singing. Immediately after their marriage the Billingtons went to Dublin, where she made her first appearance on the stage in the part of 'Eurydice'. In 1785 she settled in Paris where she received lessons from the Antonio Sacchini, whose last pupil she was. She returned to London for the season of 1786-87, and continued to sing there, at Covent Garden, the Concerts of Ancient Music, the so-called Oratorios, and the Handel Commemorations, until the end of 1793. In 1792 there appeared an anonymous publication, which professed to contain her private correspondence with her mother. This work was of so disgraceful and scurrilous a description that Mrs. Billington was forced to take legal proceedings against the publishers. An answer to the 'Memoirs' appeared in due course ; but it seems probable that the scandal induced Mrs. Billington to abandon her profession and retire to the Continent. Accompanied by her brother and her husband, she left England early in 1794, and travelled by way of Germany to Italy. At Naples she was induced by Sir William Hamilton, the English ambassador, to sing in private before the royal family. 

This led to her singing at the San Carlo, where she appeared in a new opera, 'Inez di Castro,' written expressly for her by Francesco Bianchi, on 30 May 1794. Her singing created an extraordinary impression, but her triumph was cut short by the sudden death of her husband, which took place the day after her first appearance, as he was preparing to accompany his wife to the theatre, after dining with the Bishop of Winchester. She stayed at Naples sixteen months, and then sang at Florence, Leghorn, Milan, Venice, and Trieste. In 1797, when singing at Venice, she was prostrated with a severe illness for six weeks. At Milan she was received with much favour by the Joséphine de Beauharnais, and here she met a young Frenchman, M. Felissent, to whom she was married in 1799. After her second marriage she went to live at St. Artien, an estate she had bought between Venice and Treviso; but her life was rendered so insupportable by the ill-treatment she received from her husband that in 1801 she left him and returned to England. Felissent, who, it was said, had been publicly flogged as an impostor at Milan, followed her to London, but he was arrested and expelled the country as an alien. Her return to London caused a great stir in the musical world. From this time until her retirement in 1811 she continued to sing in Italian opera. After her retirement she lived in princely style at a villa at Fulham. In 1817 she returned with her husband to Italy and there were rumours that he was responsible for her death. As a composer, she wrote a few songs and two sets of keyboard pieces. Her brother Charles Weichsell (1767-1850) was a violinist and composer, mainly active in Dublin and London.

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