dilluns, 2 de juny del 2025

SCHENCK, Johannes (1660-c.1712) - Sonata für Viola da gamba und Basso continuo (c.1704)

Gerard ter Borch II (1617-1681) - A Musical Company


Johannes Schenck (1660-c.1712) - Sonata (II, a-moll) für Viola da gamba und Basso continuo aus
'L'Echo de Danube' (c.1704)
Performers: Sarah Cunningham (viola da gamba); Mitzi Meyerson (harpsichord)

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Dutch composer and viol player of German descent. Although the details of his musical education are unknown, in 1680 he married his compatriot Geertuyd Hamen van Vianen and in 1687 published in Amsterdam his first work for the theatre, 'Bacchus, Ceres en Venus', which is considered the first example of singspiel in the history of his country. In those last years, he alternated between works on religious themes and profane works. His first publications, most of them printed at Estienne Roger’s workshop, were financially supported by influential businessmen and nobles who made possible the distribution of his work, thus becoming known to the public, and which consolidated his reputation as, perhaps, the greatest composer of his country in the second half of the 17th century. In about 1696 his fame secured him a post at the Düsseldorf court of the Elector Palatine Johann Wilhelm II, himself an amateur viol player. Schenck's career developed there as a court official too, culminating in 1710 in an appointment as 'chamber councillor'. He was thus present at the coronation in 1711 of Emperor Charles VI at Frankfurt. After 1712, his trace was lost. As a composer, his viol music constitutes one of the most important repertories composed for the instrument. It faithfully reflects the important stylistic changes taking place in northern Europe at the time, which may not always have worked to Schenck's advantage as a composer. Schenck's viol music culminated in 'Le nymphe di Rheno' and 'L'echo du Danube'. The former consists of duets for two equal viols, in which the relatively modest technical demands may reflect the level of the dedicatee, Schenck's employer Johann Wilhelm. In the six ambitious sonatas of 'L'echo du Danube' the influence of modern Italian string sonatas is prominent.

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