dilluns, 8 de setembre del 2025

OTTANI, Bernardo (1736-1827) - Sinfonia 'L'amore senza malizia' (1767)

Bartolomeo Pinelli (1771-1835) - A carnival scene in Rome around Gian Lorenzo Bernini’s Triton fountain, Piazza Barberini


Bernardo Ottani (1736-1827) - Sinfonia 'L'amore senza malizia' (1767)
Performers: Orchestre des Pays de Sаvoie; Reinhard Goеbеl (conductor)

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Italian composer. A student of Giovanni Battista Martini in Bologna, he made his debut as a composer with an oratorio in 1765, the same year he was elected to the Accademia Filarmonica. The following year he began to receive commissions from Turin, Venice, and Genoa, later touring Germany as a composer of opera. In 1769 he was appointed as maestro di cappella at the church of San Giovanni in Monte in Bologna, later becoming a keyboardist at the Teatro Publico. For Good Friday of 1770 he wrote another oratorio, and later that year he was one of ten musicians chosen by the Accademia to compose and conduct works for its annual day-long concert, which took place on 30 August with Charles Burney and the Mozarts in attendance. Burney thought him ‘young and promising’, and described the Laudate pueri as containing ‘many ingenious, pretty things’. Shortly after this, on 9 October, Ottani was one of Wolfgang’s examiners for his election to the academy. In 1774 Ottani served as the academy’s president. In 1779 the successful performance of an opera at the Teatro Regio in Turin led to him being appointed as maestro di cappella there, a position he retained his entire life. During the French occupation he was involved in the dissolution of the Royal Chapel in 1798, the closing of the Teatro Regio and the shutting down of musical activity. Continuing his duties at the cathedral he wrote several religious compositions for the coronation of Napoleon and was nominated maestro di musica to the Prince and Princess Borghese. As the only survivor of the old order at the time of the Restoration, he was entrusted with the task of reorganizing a new Royal Chapel in 1814. As a composer, his music, little studied, includes 46 Masses, 14 operas, including 'L'amore senza malizia' (Venice, 1767), 'Le virtuose ridicole' (Dresden, 1769), and 'L'amore industrioso' (Dresden, 1769), numerous arias and other insertions, an oratorio, three cantatas, 10 sacred works, and six keyboard sonatas. His brother, Gaetano Ottani (c.1734-1808), was a wellknown tenor and landscape painter.

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