divendres, 9 d’agost del 2024

TURK, Daniel Gottlob (1750-1813) - Sonata in G-Dur (1789)

Adele Romany (1769-1846) - Portrait de Mlle Thevenet de Montgarrel près d’un piano tenant un cahier de musique


Daniel Gottlob Türk (1750-1813) - Sonata (G-Dur) aus Sechs Klaviersonaten, größtentheils für Kenner (1789)
Performers: Tobias Kοch (pianoforte, 1790)

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German theorist and composer. Son of Daniel Türcke, instrumentalist in the service of Count Schönburg, he was trained at an early age for the hosiery firm, received his first music lessons from his father and learnt several wind instruments with his father’s colleagues. At the Dresden Kreuzschule he received thorough musical education under the Kantor Gottfried August Homilius, a former pupil of Johann Sebastian Bach. In 1772 he enrolled in law at the University of Leipzig while continuing to study under Johann Adam Hiller. In 1774 he was appointed as Kantor at the Ulrichskirche in Halle, and five years later he was awarded a doctorate at the University of Halle, where he taught seminars in music. In 1787 he became Kapellmeister at the Marienkirche in the city, and in the early part of the 19th century he was a leading figure in the Halle revival of George Frederick Handel. Daniel Gottlob Türk was best known as a music theorist, whose seven treatises include the seminal Clavierschule of 1789 and the Anweisung zum Generalbass-Schule of 1791 than a composer. Nevertheless, his music, written in the North German style, includes 20 cantatas, 21 Lieder, an opera, 46 chorales, a Choralbuch, 38 keyboard sonatas, and 164 smaller works for keyboard.

dimecres, 7 d’agost del 2024

EICHNER, Ernst (1740-1777) - Sinfonia in D-Dur (1775)

Gottlieb Friedrich Riedel (1724-1784) - Saxon troops on the march (1779)


Ernst Eichner (1740-1777) - Sinfonia (D-Dur) à 11. Strom. ... Op.X (1775)
Performers: Kurpfälzisches Kammerorchester; Hans Oskar Koch (conductor)

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German bassoonist, violinist and composer. The son of a musician, Johann Andreas Eichner (1694-1768), he studied under his father before becoming, on 1 September 1762, Kapellmeister at the court of Duke Christian IV in Zweibrücken. After his symphonies were published in Paris, he obtained a position as violinist with the Mannheim orchestra in 1768, winning a prestigious award in Paris in 1772 for his compositions after tours there and in London. In 1773 he accepted a position in Potsdam with the musical ensemble of Crown Prince Friedrich (later Friedrich Wilhelm). He interrupted his service there only once, to visit Arolsen and Leipzig (1775). His early death passed unnoticed by the musical public. Despite so, he was one of the most significant and progressive composers of the mid-century German symphony, though he often chose to retain the three-movement format. Eichner, no doubt consciously, sought a synthesis of the forms and idioms of his time; he fits into none of the important 18th-century ‘schools’, but was a solitary figure who, like so many of his contemporaries, aimed to give structure and substance to the new genre of the ‘concert symphony’. His music is known for its colorful and sensitive orchestration. His output includes 30 symphonies, 18 concertos (mostly for winds), 14 quartets, a quintet, two wind divertimentos, 12 trios for strings, seven sonatas, six duos, and six keyboard sonatas. He married Maria Magdelena Ritter and his daughter, Adelheid Eichner (c.1761-?), was a singer and composer with a precocious talent. 

dilluns, 5 d’agost del 2024

NADERMAN, François-Joseph (1781-1835) - Sonate pour la Harpe

Guillaume Guillon-Lethière (1760-1832) - Marie Antoinette Adèle Papin-Duchâtel (1782-1860) (1799)


François-Joseph Naderman (1781-1835) - Sonate (V, Fa majeur) des '14 Pieces:
Sonates progres[s]ives | Pour la Harpe'
Performers: Annie Chаllаn (harp)

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French harpist and composer. Son of Jean-Henri Naderman (1734-1799) and Barbe-Rose Courtois (1755-1839), he was born into a family of musicians. His father was an instrument maker and publisher and his brother Henri Naderman (1783-1842) was an harp maker, composer and publisher. He probably received early music lessons from his father despite it was wrongly suggested that he studied with Jean-Baptiste Krumpholtz. He later received composition lessons from Pierre Louis Augustin Desvignes. After touring widely as an harp virtuoso, in 1813 he was appointed harpist of the Royal Chapel in Paris. After the Restoration (1815) he, his brother and mother were named harp makers and music sellers to the King, and François-Joseph himself was appointed the King’s chamber composer and first solo harpist. He was made a Chevalier of the Légion d’Honneur in 1821, and finally, in 1825, he was appointed to the Paris Conservatoire as its first professor of harp. As a composer, his output included many works for harp, among them 2 concertos, sonatas, and solo pieces. He also published the didactic method 'Ecole ou Methode raisonnee pour la harpe' (Paris, c.1832).

diumenge, 4 d’agost del 2024

DE SOUZA LOBO, Jerónimo (fl. 1780-1810) - Ladainha de N. S. do Rosário

Charles Landseer (1799-1879) - Corcovado visto da capela da Conceição (1825)


Jerónimo de Souza Lobo (fl. 1780-1810) - Ladainha (em Sol maior) de N. S. do Rosário
Performers: Patricia Naclе (contralto); Gustavo Quarеsma (tenor); Nibaldo Aranеda (bass); Coral de Camara Sao Paulo; Orquestra de Camara Engеnho Barroco; Naomi Munаkаta (conductor)

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Brazilian composer, violinist and organist. Almost nothing is known about his life and career. He probably was the son of Antônio de Souza Lôbo, the "Patriarca Musical de Vila Rica". He was active as a member of the brotherhood Irmandade de São José dos Homens Pardos and from 1780 he was appointed organist of several churches in Vila Rica in a post he held until his death. As a composer, he mainly wrote sacred music, among them, Domingo de Ramos, Matinas de Santo Antonio e Responsórios de São Francisco de Assis. He probably was the father of the composer Jerônimo de Souza Lobo Queiroz (?-1826) 

divendres, 2 d’agost del 2024

LADURNER, Ignaz Anton (1766-1839) - Sonata in B-Dur (1803)

Louis Carrogis Carmontelle (1717-1806) - Mr Philippe, annuity payer, Miss Delon from Geneva and Mr Texier, famous Lyonnais reader


Ignaz Anton Ladurner (1766-1839) - Sonata (B-Dur) Pour le Piano-Forte
avec Accompagnement de Violon obligé ... oeuvre 7 (1803)
Performers: Péter Szüts (violin); Miklós Spányi (pianoforte)

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Austrian composer, teacher and organist. Son of Franz Xaver Ladurner (1735-1782) and brother of Josef Alois Ladurner (1769-1851) and Benedikt Gabriel Ladurner (1779-1840), he received his earliest education from his uncle, Innocenz Ladurner (1745-1807), at the Benediktbeuern abbey. He functioned briefly in 1782 as his father’s successor at Algund, but in 1784 he moved to Munich to attend the Jesuit Lyceum in music and philosophy. Following a brief position in Bar-le-Duc, he moved to Paris in 1788 where he became a well-respected teacher. In 1797 he was appointed as a professor at the Conservatoire and at the École Royale, where his students included Daniel François Esprit Auber. He married Mlle Magnier de Gondreville (c.1779-1825), a talented violinist; their son, Adolphe Ladurner (1799-1855), became known as a painter. In 1836, disabled by paralysis, he moved to his country home in Villain. As a composer, despite he wrote two operas, 'Wenzel, ou Le magistrat du peuple' (1794) and 'Les vieux fous, ou Plus de peur que de mal' (1796), and some chamber music, he was mainly known and praised by his piano sonatas.