dimecres, 26 d’abril del 2023

ROMBERG, Andreas (1767-1821) - Simphonie concertante (1792)

Attributed to Christian August Gunther (1759-1824) - Allegory of spring (1783)


Andreas Romberg (1767-1821) - Simphonie concertante (C-Dur, violin & violoncello) (1792), SteR 49
Performers: Emilio Pеrcаn (violin); Cathеrine Jοnеs (cello); L'аrtе dеl mοndο; Wеrnеr Ehrhаrdt (conductor)

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German violinist and composer, son of Gerhard Heinrich Romberg (1745-1819). He learnt the violin with his father and made his début in Münster at the age of seven with his cousin Bernhard Heinrich Romberg (1767-1841). Since then, he was inseparable from his like-aged cousin with whom he shared an identical training and early career, both being students of Andrea Luchesi. He was taken on tour with his father in 1782, where he performed at the Concerts spirituels with some success. He and his cousin then obtained positions with the Bonn court orchestra, only to have to flee to Hamburg in 1793 in advance of the French occupation. In 1795 he visited Italy and the following year Vienna, where he and his cousin parted ways. In 1800 he returned to Hamburg, where he was an active teacher and performer, receiving a doctorate in music from the University of Kiel in 1809. In 1815 he was appointed Kapellmeister at the court in Gotha. A prolific composer, his works are characterized by a dramatic content, often expansive in terms of form and structure. These include eight operas, a setting of Friedrich Klopstock’s epic Messias, a Mass, a Te Deum, two odes, several Psalms, over 20 Lieder, nine symphonies, 20 violin concertos (and five sinfonia concertantes), 25 string quartets, 10 quintets, an octet, three violin sonatas, and 17 duos for strings.

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