divendres, 4 d’abril del 2025

ZINGARELLI, Niccolò Antonio (1752-1837) - Sinfonia in Mi maggiore (c.1785)

Pietro Antoniani (c.1740-1805) - Naples a view of the Riviera di Chiaia from the Convento di Sant' Antonio with Vesuvius smoking in the distance


Niccolò Antonio Zingarelli (1752-1837) - Sinfonia in Mi maggiore (c.1785)
Performers: Atalanta Fugiens; Vanni Moretto (conductor)

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Italian teacher and composer. Following studies at the Conservatorio di Santa Maria di Loreto under Pasquale Anfossi and Antonio Sacchini, he was appointed as a violin teacher at Torre Annuziata in 1772. In 1781 his opera 'Montezuma' achieved success, allowing him to receive commissions throughout Italy, where he became one of the leading composers of opera. He attempted to achieve the same success in Paris in 1790, writing some works in collaboration with his pupil Isabelle de Charrière, though these all failed and the Revolution forced his return to Italy. In 1793 he was appointed maestro di cappella at the Cathedral of Milan and in 1795 he assumed the same post at Santa Casa in Loreto, Rome. By 1804 he was maestro di cappella at St. Peter’s in Rome, but a conflict with the French occupiers landed him in prison. He was released only at the special intervention of Napoleon. After Giovanni Paisiello’s death in 1816 he was also appointed musical director of Naples Cathedral. Zingarelli was an incredibly prolific composer throughout his entire life, writing in virtually all genres. His works include dozens of masses, eight oratorios, 57 operas, many Mass movements and insertion arias, 15 Requiems, 55 Magnificats, 23 Te Deums, 541 Psalm settings, 21 Stabat maters, and 50 motets, as well as numerous litanies, responsories, and sacred cantatas. He also wrote 20 secular cantatas, three large odes or hymns, 79 symphonies (mostly singlemovement sinfonia da chiesa), eight string quartets, three duos, eight sonatas, 11 pastorals, and 60 other works for organ. He was considered the last great composer of opera seria, and he spent much of his later years composing sacred music when his operas were overshadowed by other Italians such as Giaocchino Rossini and Vincenzo Bellini. His music conforms to the late Italian style of the Classical period and, thus, may have seemed anachronistic. He was renowned as a teacher, numbering Bellini, Mercadante, Carlo Conti, Lauro Rossi, Morlacchi, and Michael Costa among his students.

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