dimecres, 13 de maig del 2026

HOFFMEISTER, Franz Anton (1754-1812) - Concerto a Viola Principale

Giovanni Battista Dell'Era (1765-1798) - Conversation in a Garden at Frascati


Franz Anton Hoffmeister (1754-1812) - Concerto ex D# | a | Viola Principale | Due Violini. |
Due Oboi. | Due Corni in D. | Viola | et | Basso (c.1790), IFH 69
Performers: Hariolf Schlichtig (viola); Münchener Kammerorchester; Daniel Giglberger (conductor)

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German composer and music publisher. He attended the University of Vienna in law beginning in 1768, but shortly thereafter he decided to pursue a career in music. In 1783 he began to publish his own music, and by 1785 he had established a firm in Vienna to compete with Artaria. Well educated, erudite, and congenial, he was a welcomed guest in intellectual circles in the Austrian capital for the next several decades, while his publishing business thrived with a branch in Linz and collaborations with others such as Bösseler in Speyer. After 1790 he began to devote himself more to his music, and in 1799 he undertook a concert tour as a keyboardist to Germany and France. In Leipzig he formed a partnership with Ambrosius Kühnel, which became one of the early progenitors of the firm of C. F. Peters. The international success of particularly his Singspiel Der Königssohn aus Ithaka made it possible for him to divest himself from his businesses by 1805. As a composer, he concentrated mostly upon instrumental works, since these were the most publishable and salable music. He was extraordinarily prolific and many of his Viennese works were also popular in foreign cities: by 1803 his most successful opera, 'Der Königssohn aus Ithaka' (Vienna, 1795), had been performed in Budapest, Hamburg, Prague, Temesvár (now Timişoara), Warsaw and Weimar; his numerous chamber works were published in Amsterdam, London, Paris and Venice, as well as throughout German-speaking regions. Although his symphonies were admired for their flowing melodies and his pedagogical works for being both pleasant and instructive, his style is generally lacking in originality and depth. His works include nine Singspiels, two cantatas/oratorios, an offertory, 66 symphonies, 11 serenades, 54 sets of dances, 59 concertos (25 for fortepiano, 14 for flute, and 20 for other instruments, including five sinfonia concertantes), 30 quintets (string, flute, and other), 57 string quartets, 46 flute quartets, nine piano quartets, 18 string trios, 12 flute trios, 76 string duets, 130 flute duets, 50 violin sonatas, five flute and viola sonatas, 26 piano sonatas, and numerous other pieces for winds and keyboard.

dilluns, 11 de maig del 2026

VORISEK, Jan Václav (1791-1825) - Sinfonie D-Dur (1823)

Hippolyte Lecomte (1781-1857) - Reddition de Mantoue, le 2 février 1797, le général Wurmser se rend au général Sérurier


Jan Václav Voříšek (1791-1825) - Premier Sinfonie D-Dur (1823)
Performers: Virtuosi Di Praga; Václav Neumann (1920-1995, conductor)

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Bohemian composer, pianist and organist. He was the youngest son of Václav František Voříšek (1749-1815) who taught him the piano and singing. He later studied the organ and the violin and began to compose. As a child prodigy, he started to perform publicly in Bohemian towns at the age of nine. After settled in Prague, he studied at a grammar school and later he went on at the Prague University. At the same time, he took piano and composition lessons from Václav Tomášek. In 1813 he moved to Vienna to study law at the university as well as music under Johann Nepomuk Hummel. In Vienna he personally met Ludwig van Beethoven (1814) and many other important personalities of European musical life; among others Franz Schubert, with whom they became good friends. He finished his law studies only in 1821 and for a short time made his living as a clerk; at the same time he composed, conducted and taught piano. In 1824 he was appointed the first court organist in Vienna. At that time, however, he suffered from tuberculosis; his treatment in Graz did not help and he died in his age of 34. As a composer, he mainly wrote piano works; he started in the classical style but soon romantic elements predominated. He also composed, among others, a Symphony (1821), several chamber works and a Solemn Mass. Although he was born in Bohemia, Voříšek's music bears hardly a trace of what was later considered to be Czech national style. Well versed in Viennese classicism, he was among the last of the many Bohemian émigrés of his time to compose in the internationalized late-Classical style associated with Vienna. Voříšek's music provides a remarkably accurate picture of the musical trends prevalent in Biedermeier Vienna, especially during the decade 1815-1825. His brother František Voříšek (1785-1843), a priest, was also a musician, and the two daughters, Eleonora Voříšek and Anna Voříšek, were pianists.

diumenge, 10 de maig del 2026

Unknown composer (18th Century) - Missa pro Defunctis (c.1749)

John Raphael Smith (1752-1812) - The Lady in Milton's Comus (1789)


Unknown composer (18th Century) - Missa pro Defunctis 'Requiem Chiquitano' (c.1749)
Performers: Camerata Renacentista de Caracas; Collegium Musicum; Isabel Palacios (conductor)
Further info: Requiem Chiquitano

divendres, 8 de maig del 2026

KITTL, Jan Bedřich (1806-1868) - Jagd-Sinfonie für das Orchester (1837)

Johann Wilhelm Jankowski (c.1825-1870) - Prague in winter


Jan Bedřich Kittl (1806-1868) - Jagd=Sinfonie: | N|r|o 2. | für das Orchester (1837)
Performers: Prague Radio Symphony Orchestra; Josef Hrncir (1921-2014, conductor)

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Bohemian composer. He studied law at the University of Prague, and took private lessons in piano with Benedikt Zavora and in composition with Václav Jan Tomášek. He was employed at first by the Czech financial procurators in Prague, but in 1836, after a concert of his compositions, he devoted himself to music. His 'Jagdsinjonie' was premiered by Ludwig Spohr (1839), and subsequently performed widely in Germany. In 1843 he succeeded Bedřich Diviš Weber as director of the Prague Conservatory. Soon after the successful première of his fourth symphony (1858), written to celebrate the 50th anniversary of the founding of the Prague Conservatory, his health and energy declined. This, together with financial embarrassments, forced him to resign from the conservatory at the end of 1865. His last years were spent in exile. As a composer, he wrote at least four operas, two masses, several choral works, and songs, as well as four symphonies, three overtures and chamber music. Jan Bedřich Kittl should be considered as one of the first bohemian Romantics.

dimecres, 6 de maig del 2026

HERMANN, Johann David (c.1760-1846) - Concerto pour la Harpe

Circle of Marie-Victoire Lemoine (1754-1820) - Group portrait with a lady playing the harp, another singing, and a gentleman, probably the instructor, in an architectural interior


Johann David Hermann (c.1760-1846) - Deuxieme Concerto pour la Harpe avec accompagnement de deux Violons, Alto, Basse, Bassons, Cors et Hautbois (ad Libitum)
Performers: Rachel Tаlitmаn (harp); Ensemble Hаrpеggio

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German composer and teacher. Nothing is known about his youth. In 1785, he settled in Paris where he published his 'Trois sonates pour le piano forte et accompagnement de violon ad libitum' (1785) and performed as keyboardist at the 'Concert Spirituel' with great success. After that, he was appointed the Queen Marie Antoinette private teacher. Since then he was devoting himself as a keyboard teacher the rest of his life. That years in Paris he was highly praised as keyboardist, being comparable to Daniel Steibelt with whom competed at the Paris salons. As a composer, he wrote at least five piano concertos, two harp concertos, chamber and keyboard pieces. After a long career as a musician, he died in Paris in 1846.