dimecres, 18 de juny del 2025

FRANCK, Johann Wolfgang (1644-c.1710) - Te Deum

Jan van den Hoecke (1611-1651) and Paul de Vos (1592-1678) - Amor as Winner


Johann Wolfgang Franck (1644-c.1710) - Te Deum in C-Dur
Performers: Ansbаcher Jugеndkantorei; Ansbаcher Kammerorchester; Rainer Goеdе (conductor)
Further info: Te Deum–C major

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German composer. Since his father, who died in 1645, had held an important administrative post at the court of the Margrave of Brandenburg-Ansbach, and his mother’s family were natives of Ansbach, it is likely that he had a superior education at a Latin school there. He served there as court musician from 1665 until 1679. He composed three operas for the Ansbach court: 'Die unvergleichliche Andromeda' (1675), 'Der verliebte Föbus' (1678), and 'Die drei Tochier Cecrops' (1679). On January 17, 1679, in a fit of jealousy, he allegedly killed the court musician 'Ulbrecht', and was forced to flee. He found refuge in Hamburg with his wife, Anna Susanna Wilbel (whom he had married in 1666), and gained a prominent position at the Hamburg Opera. Between 1679 and 1686 he wrote and produced 17 operas, the most important of which was 'Diokletian' (1682). His private life continued to be stormy; he deserted his wife and their 10 children, and went to London, where he remained from 1690 to about 1702. In London he organized, with Robert King, a series of Concerts of Vocal and Instrumental Music. The exact date and place of his death are unknown, but a report in Johannes Moller’s 'Cimbria litterata' (Copenhagen, 1744) makes the intriguing suggestion that he may have been murdered in Spain. As a composer, he published 'Geistliche Lieder' (Hamburg, 1681, 1685, 1687, 1700), 'Remedium melancholiae' (London, 1690), arias, and sacred music.

dilluns, 16 de juny del 2025

MARCHITELLI, Pietro (c.1643-1729) - Concerto in La minore

Giovanni Benedetto Castiglione (1609-1664) - Allegory of Vanity


Pietro Marchitelli (c.1643-1729) - Concerto in La minore
Performers: Ensemble Aurora

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Italian violinist, teacher and composer. He received a formal music education at the Conservatorio di Santa Maria di Loreto in 1657. When his teacher, the violinist Carlo de Vincentiis, died in 1677, he took over as principal violinist of the royal chapel in Naples, remaining in the post for more than 50 years. He also took the role of first violin in the orchestra of the Teatro San Bartolomeo. He was a close friend of Alessandro Scarlatti during his career, and held in high esteem by his contemporaries. Marchitelli died of old age and was buried at the Chiesa di San Nicola alla Carità in Naples, in 1729. As a teacher, his pupils included his nephews Michele Mascitti and Giovanni Sebastiano Sabatino. As a composer, almost his whole output is lost, but he wrote several sonatas and concertos which closely follow the model established by Arcangelo Corelli in both form and pattern of movements.

diumenge, 15 de juny del 2025

MAYR, Johann Simon (1763-1845) - Messa a 4 (1823)

Giuseppe Diotti (1779-1846) - Johann Simon Mayr


Johann Simon Mayr (1763-1845) - Messa (do minore) a 4 (1823)
Performers: Marina Ulewicz (soprano); Christa Mayer (mezzo-soprano); Thomas Cooley (tenor); Thomas Gropper (bass); Vokalensemble Ingolstadt; Georgisches Kammerorchester Ingolstadt; Franz Hauk (conductor)
Further info: Mayr - Missa in c-moll

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German composer, teacher and writer on music. The second child of Josef Mayr, a schoolteacher and organist, and Maria Anna Prantmayer, a brewer’s daughter from Augsburg, he received his early musical education from his father. In 1774 he entered the Jesuit college in Ingolstadt, and in 1781 he began to study law and theology at the University of Ingolstadt, where he taught himself various orchestral instruments and supported himself by playing the organ. In 1787 a Swiss Freiherr, Thomas von Bassus, took him to Italy to further his musical education; in 1789 he commenced studies with Carlo Lenzi in Bergamo; he then was sent to Ferdinando Bertoni in Venice. He began his career as a composer of sacred music; his oratorios were performed in Venice. After the death of his patron in 1793, he was encouraged by Niccolò Piccinni and Peter von Winter to compose operas. His first opera, 'Saffo o sia I riti d'Apollo Leucadio', was performed in Venice in 1794. He gained renown with his opera 'Ginevra di Scozia' (Trieste, 1801), and it remained a favorite with audiences; also successful were his operas 'La rosa bianca e la rosa rossa' (Genoa, 1813) and 'Medea in Corinto' (Naples, 1813). In 1802 he became maestro di cappella at Santa Maria Maggiore in Bergamo, and in 1805 he reorganized the choir school of the Cathedral as the Lezioni Caritatevoli di Musica and assumed its directorship. Intractable cataracts, which led to total blindness in 1826, forced him to limit his activities to organ playing. In 1822 he founded the Societa Filarmonica of Bergamo. As a composer, his operas, while reflecting the late Neapolitan school, are noteworthy for their harmonization and orchestration, which are derived from the German tradition. After 1815 he devoted most of his time to composing sacred music, which totals some 600 works in all. He was also an eminent pedagogue and Gaetano Donizetti was among his pupils. Johann Simon Mayr was a leading figure in the development of opera seria in the last decade of the 18th Century and the first two decades of the 19th Century.

divendres, 13 de juny del 2025

VRANICKY, Antonín (1761-1820) - Concerto pour deux Violes (1805)

Carl Schütz (1745-1800) - Ansicht des Kohlmarkts (1797)


Antonín Vranický (1761-1820) - Concerto pour deux Violes (1805)
Performers: Jan Pěruška (viola); Jaroslav Pondělíček (viola); Komorní orchestr členů České filharmonie;
Andreas Sebastian Weiser (conductor)

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Moravian composer, violinist and music teacher. He attended the grammar school at the Premonstratensian monastery in Nová Ríše and later studied philosophy and law at a Jesuit seminary in Brno. His earliest musical training included violin lessons from his brother Pavel Vranický (1756-1808); he was also known for his beautiful voice. Before December 1783 he became choirmaster to the chapel of the Theresianisch-Savoyische Akademie in Vienna (until the abolition of church music there with the reforms of Joseph II). In Vienna he studied composition with Wolfgang Amadeus Mozart, Joseph Haydn and Johann Georg Albrechtsberger, and became renowned as a violin teacher and virtuoso. By 1790 he had entered the services of Prince J.F. Maximilian Lobkowitz as a composer, music teacher, Konzertmeister and (from 1797) Kapellmeister of the prince’s private orchestra; in these duties he was active at Vienna, Prague and the prince’s country seats in Bohemia (at Roudnice, Jezerí and Bílina). After the prince took charge of the Vienna court theatres (1807) and later sole direction of the opera, he appointed him orchestra director of the court theatre, according to the obituary register, a post he held until his death. From 1 August 1814 he was also the orchestra director of the Theater an der Wien. He assisted the prince in leading the Hoftheater-Musik-Verlag from 1812 to 1816 (see Weinmann). After the prince’s death he remained in the service of his successor. As a composer, his output almost entirely consists of instrumental compositions. Chamber music prevails, which is connected with his position of the chief conductor of the chateau music, but his legacy also comprises at least 14 symphonies and the same number of violin concertos, concertos for other string instruments, a number of minuets, hunting marches and many other compositions.

dimecres, 11 de juny del 2025

GIAY, Giovanni Antonio (1690-1764) - Sinfonia a 5

Jean-François Daumont (fl.1740-1775) - Gezicht op het Palazzo Reale en de Via Po te Turijn


Giovanni Antonio Giay (1690-1764) - Sinfonia (Re maggiore) a 5
Performers: Orchestre des Pays de Savoie; Reinhard Goebel (conductor)

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Italian composer. Son of Stefano Giuseppe Giay, in 1700 he entered the Collegio degli Innocenti at the Turin Cathedral where he studied music with Francesco Fasoli. He probably then went to Rome to complete his studies. On his return to Turin he wrote 'Il trionfo d’Amore ossia La fillide', in collaboration with Andrea Stefano Fiorè, which was premiered at the Teatro Carignano in 1715. His own operas were performed over the next 35 years in Turin, Venice, Milan and Rome. After Fiorè died in 1732, he assumed the duties of maestro di cappella and was confirmed in the position by Carlo Emanuele III in a patent of 24 October 1738. In this capacity he directed the instrumental and vocal forces of the court and composed a large amount of church music. He held this position until his death and was succeeded by his son, Francesco Saverio Giay (1729-1801).