Niccolò Antonio Zingarelli (1752-1837)
- Sinfonia in Mi maggiore (c.1785)
Performers: Atalanta Fugiens; Vanni Moretto (conductor)
Further info: The Milanese Symphonies
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Italian teacher and composer. Following studies at the Conservatorio di 
Santa Maria di Loreto under Pasquale Anfossi and Antonio Sacchini, he 
was appointed as a violin teacher at Torre Annuziata in 1772. In 1781 
his opera 'Montezuma' achieved success, allowing him to receive 
commissions throughout Italy, where he became one of the leading 
composers of opera. He attempted to achieve the same success in Paris in
 1790, writing some works in collaboration with his pupil Isabelle de 
Charrière, though these all failed and the Revolution forced his return 
to Italy. In 1793 he was appointed maestro di cappella at the Cathedral 
of Milan and in 1795 he assumed the same post at Santa Casa in Loreto, 
Rome. By 1804 he was maestro di cappella at St. Peter’s in Rome, but a 
conflict with the French occupiers landed him in prison. He was released
 only at the special intervention of Napoleon. After Giovanni 
Paisiello’s death in 1816 he was also appointed musical director of 
Naples Cathedral. Zingarelli was an incredibly prolific composer 
throughout his entire life, writing in virtually all genres. His works 
include dozens of masses, eight oratorios, 57 operas, many Mass 
movements and insertion arias, 15 Requiems, 55 Magnificats, 23 Te Deums,
 541 Psalm settings, 21 Stabat maters, and 50 motets, as well as 
numerous litanies, responsories, and sacred cantatas. He also wrote 20 
secular cantatas, three large odes or hymns, 79 symphonies (mostly 
singlemovement sinfonia da chiesa), eight string quartets, three duos, 
eight sonatas, 11 pastorals, and 60 other works for organ. He was 
considered the last great composer of opera seria, and he spent much of 
his later years composing sacred music when his operas were overshadowed
 by other Italians such as Giaocchino Rossini and Vincenzo Bellini. His 
music conforms to the late Italian style of the Classical period and, 
thus, may have seemed anachronistic. He was renowned as a teacher, 
numbering Bellini, Mercadante, Carlo Conti, Lauro Rossi, Morlacchi, and 
Michael Costa among his students.

 
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