Es mostren els missatges amb l'etiqueta de comentaris Müthel J.G.. Mostrar tots els missatges
Es mostren els missatges amb l'etiqueta de comentaris Müthel J.G.. Mostrar tots els missatges

dilluns, 15 de juliol del 2024

MUTHEL, Johann Gottfried (1728-1788) - Concerto per il cembalo

Johann Heinrich Tischbein (1722-1789) - Family Timmermann (1758)


Johann Gottfried Müthel (1728-1788) - Concerto (B-Dur) per il cembalo, IJM 6
Performers: Björn Gäfvert (harpsichord); Drottningholm Baroque Ensemble; Nils Erik Sparf (conductor)

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German composer. Son of Christian Caspar Müthel (1696-1764), organist at the Nikolaikirche in Mölln, he received his earliest musical instruction from his father. Later, when he was in Lübeck, he studied under Johann Paul Kunzen. In 1747 he was appointed court organist of Mecklenburg-Schwerin under Duke Christian Ludwig II. In 1750 he was given a year’s leave of absence to further his studies and he traveled to Leipzig to meet Johann Sebastian Bach, and remained with him for a few days before Bach's death. He then studied with Bach’s son-in-law Johann Christoph Altnikol in Naumburg and Johann Adolph Hasse in nearby Dresden. Toward the end of the year he found himself in Berlin, where he formed a fast friendship with Carl Philipp Emanuel Bach, who also gave him some lessons. After returning to Schwerin, he moved to Riga, then under Russian rule, with Duke Christian’s brother, Otto Hermann von Vietinghof, where he remained the rest of his life. His only other position came in 1767 when he was appointed as organist at the St. Peter’s Church there. As a performer, he had some peculiar quirks, with it being said that he refused to perform other than in winter so that the sounds of the horses on the cobbles outside would not distract him. Among his extant works are 10 harpsichord concertos, a Concerto for 2 Bassoons and Strings, sonatas for Harpsichord, and organ music. Charles Burney wrote of him: ‘The style of this composer more resembles that of Emanuel Bach, than any other. But the passages are entirely his own, and reflect as much honour upon his head as his hand’.

dilluns, 17 de gener del 2022

MUTHEL, Johann Gottfried (1728-1788) - Concerto (Es-Dur) di Joh: Gottfr: Müthel

Anoniem - Plattegrond van Riga (1735)


Johann Gottfried Müthel (1728-1788) - Concerto (fagott, Es-Dur) di Joh: Gottfr: Müthel
Performers: Jennіfer Harrіs (fagott); Katrіn Lazar (fagott); Hofkapelle Hannover; Anne Röhrіg (leitung)

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German composer. He received his earliest musical instruction from his father, Christian Caspar Müthel (1696-1764), organist at the Nikolaikirche in Mölln, and was later taught by Johann Paul Kunzen (1696-1757) in Lübeck. At the age of 19 he became a chamber musician and organist at the court of Mecklenburg-Schwerin under Duke Christian Ludwig II. A year’s leave of absence allowed Müthel to go to Leipzig in the spring of 1750 to visit ‘the famous Capellmeister and Music-Director Bach … in order to perfect himself in his profession’, as an accompanying letter from his employer stated. Bach was already ill at this time, and it is not known what kind of teaching he was able to give Müthel. After Bach’s death on 28 July 1750, Müthel left for a study tour, visiting J.C. Altnickol in Naumburg, Hasse in Dresden, C.P.E. Bach in Potsdam and Telemann in Hamburg; he was also active as a copyist during this period. In 1753, through the good offices of his brother, he obtained the post of Kapellmeister to the Russian privy councillor O.H. von Vietinghoff in Riga; he was appointed organist of the principal church of Riga in 1767. His friends and admirers in Riga included J.G. Herder. Müthel, who was also highly regarded as a keyboard virtuoso, never seems to have left Riga again; almost nothing is known about his later life. Müthel's output is small, and both musically and technically his keyboard works are the most demanding part of it. However, fewer of the works in the Pretlack Collection, seem to be by Müthel than was originally thought. For instance, C.F. Schale is named elsewhere as composer of the two harpsichord concertos preserved there (see the Kritischer Bericht to the first volume of Wilhelm’s edition of organ works, 1982). The extract from a letter by Müthel which occurs in the German translation (1773/R) of Burney’s The Present State of Music in Germany, the Netherlands, and United Provinces should therefore be taken seriously, although it sounds like a typical effusion of the ars poetica of the Sturm und Drang period: ‘I have devised many a piece when in good humour and a cheerful mood, but only in outline, and the pieces await a happy disposition of my mind for further work to be done, for I do not care to work when I am not disposed to it. And that true cheerfulness of mind I require to work visits me only rarely’. Particularly in the inner movements of his compositions, Müthel’s characteristic originality watchword gave rise to rhythmically striking motifs and phrases, abrupt changes of dynamics, and other expressive means, all in the service of individual self-expression. His style has something in common with the styles of C.P.E. Bach and other experimentally minded composers of his generation. Burney wrote of him: ‘The style of this composer more resembles that of Emanuel Bach, than any other. But the passages are entirely his own, and reflect as much honour upon his head as his hand’.

dissabte, 14 de juliol del 2018

MÜTHEL, Johann Gottfried (1728-1788) - Harpsichord Concertos

Johann Christian Vollerdt - An Italianate river landscape with travellers
Obra de Johann Christian Vollerdt (1708-1769), pintor alemany (1)

- Recordatori de Johann Gottfried Müthel -
En el dia de la commemoració del seu 230è aniversari de decés



Parlem de Pintura...

Johann Christian Vollerdt [Vollardt, Vollaert] (Leipzig, 1708 - Dresden, 27 de juliol de 1769) va ser un pintor alemany. Es va formar a Dresden amb Johann Alexander Thiel. Entre els anys 1740 i 1760 va viure als Països Baixos on va entrar en contacte amb la pintura paisatgística dels mestres holandesos i flamencs del segle XVII la qual va ser la seva principal influència al llarg de la seva carrera com a pintor. En aquest sentit, es va especialitzar en paisatges sovint hivernals, de llum tènue i amb figures representant escenes rurals. Johann Christian Vollerdt va morir a Dresden el juliol de 1769.



Parlem de Música...

Johann Gottfried Müthel (Mölln, 17 de gener de 1728 - Riga, 14 de juliol de 1788) va ser un compositor alemany. Fill de l'organista Christian Caspar Müthel (1696-1764), es va formar inicialment amb el seu pare abans de traslladar-se a Lübeck per estudiar amb Johann Paul Kunze. A l'entorn del 1747 va assolir un càrrec de músic de cambra i organista de la cort del duc Christian Ludwig II de Mecklenburg-Schwerin. L'estiu de 1750 va rebre un permís per viatjar a Leipzig per tal de poder rebre formació de Bach. No obstant, en aquell temps la salut de Bach era molt precària per la qual cosa es desconeix fins a quin punt va ser possible aquesta trobada. De fet, i després de la mort de Bach el juliol d'aquell mateix any, Müthel va decidir traslladar-se a Naumburg, per visitar a J.C. Altnickol, més tard a Dresden, per visitar a Hasse, després a Potsdam, per visitar a C.P.E. Bach i finalment a Hamburg per visitar a Telemann. El 1753, i gràcies a un valuós contacte del seu germà, va ser nomenat a Riga Kapellmeister al servei del conseller O.H. von Vietinghoff. També a Riga va ser nomenat, el 1767, organista de la Catedral de Sant Pere en un càrrec que probablement va preservar la resta de la seva vida. Com a compositor, va ser poc prolífic i va destacar principalment per la seva obra de teclat. Johann Gottfried Müthel va morir a Riga el juliol de 1788.

Joseph-Nicolas Delisle - Ducatuum Estoniae et Livoniae Tabula cum cursu Fluvii Dwinae (1745)
Joseph-Nicolas Delisle (1688-1768) - Ducatuum Estoniae et Livoniae Tabula cum cursu Fluvii Dwinae (1745) (2)

OBRA:

Hpd concs.:
2 (Riga and Mitau, 1767), 6 , D-Bsb; ed. in Denkmäler norddeutscher Musik, iii–iv (Munich, 1979), 1 transcr. in TCMS, iv (1988–90)

Other concs.:
1 for bn, Bsb;
1 for 2 bn, str, Bsb

Kbd:
3 sonates et 2 ariosi avec 12 variations, hpd (Nuremburg, 1756), ed. in Mitteldeutsches Musikarchiv, 1st ser., vi–vii (Leipzig and Wiesbaden, 1955);
Duetto, E , 2 kbd (Riga, 1771), ed. in NM, clxxvi (1954);
6 sonatas, hpd, Bsb, some doubtful, 2 ed. in Organum, 5th ser., xxix (1961), xxxiii (1964);
8 sonatas, Bsb, doubtful;
Duetto, C, 2 kbd, Bsb;
Technical exercises, incl. fantasy ed. in Mw, xliii (1971), chorales, prelude, fugue frags., fantasias, org, Bsb, some ed. R. Wilhelm (Innsbruck and Neu-Rum, 1982–5);
Other hpd pieces, Bsb, some doubtful

Other:
Auserlesene Oden und Lieder (Hamburg, 1759);
Cant. auf die Einweihung der neuen Orgel zu Parchim, SWl;
Trinklied, 4vv, Bsb;
Sonata, fl, bc, Bsb;
Canon, Dlb



Informació addicional... 

INTERPRETS: Marcin Świątkiewicz (harpsichord); Arte de Suonatori
AMAZON: MUTHEL, J.G. - The 5 Keyboard Concertos
CPDL: No disponible
SPOTIFY: MUTHEL, J.G. - The 5 Keyboard Concertos



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