GOETZ, Florian (1793-1866) - Missa pro festo Sanctae Caeciliae (1816)

Florian Goetz (1793-1866) - Missa (D-Dur) pro festo Sanctae Caeciliae (1816)

Performers: Bogumilа Dziеl-Wаwrowskа (soprano); Kаtаrzyna Krzyzаnowska (mezzosoprano);

Alеksander Kunаch (tenor); Tomаsz Piеtаk (bass); La Tеmpеstа ensemble; Jаkub Burzynskі (conductor)

Painting: Domingos Sequeira (1764-1849) - Coronation of the Virgin (c.1826)

Further info: Musica Claromontana 17

---

Florian (Cyryl Florian) Goetz [Gieczyński]

(Rusin Novy, 3 May 1793 - Niegów, 15 March 1866)

Moravian composer. He attended the schools in Opava and Freiberg where was considered a proficient student, but the origins of his musical education remain unknown. He arrived in Częstochowa after graduating. On 21 September 1814 he entered as a 'novititate' and one year later he took his monastic vows and assumed the name Cyril. As a monk he attended the lectures of philosophy and theology in the General School of the Polish province in Jasna Góra and in the monastery of Warsaw. After two years he was ordained and he assumed the cantor post of the order in Jasna Góra. In 1817 he was transferred to the St. Sigismund monastery in Częstochowa and later to the church in Konopiska. From there he came back to Jasna Góra where he resumed his musical activity until 1819. Since 1820 he assumed a post of preacher and confessor of the Francis Xavier German Brotherhood in Warsaw. There he translated his surname to Gieczyński. In 1823 he left the order and assumed a priest post in Niegów, where he remained the rest of his life. As a composer he mainly wrote sacred music when he was active at Jasna Góra. His extant output comprises 2 masses as well as other minor religious works.

BACH, Johann Ludwig (1677-1731) - Ouverture à 4 (1715)

Johann Ludwig Bach (1677-1731) - Ouverture à 4. | ex G (1715)

Performers: Frеiburgеr Barockorchester; Gottfried von der Gοltz (conductor)

Painting: Franz Christoph Janneck (1703-1761) - A Dance in the Palace Gardens

Further info: Johann Ludwig Bach (1677-1731) - Mache dich auf, werde Licht (c.1726)

---

Johann (Johannes) Ludwig Bach

(Thal, 4 February 1677 - Meiningen, bur. 1 May 1731)

German composer. Son of Johann Jacob Bach (1655-1718), nothing is known of his musical training, but he probably received some early instruction from his father before attending the Gotha Gymnasium in 1688-1693. At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister. He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts. He was a third cousin of Johann Sebastian Bach, who made copies of several of his cantatas and performed them at Leipzig. The cantata 'Denn du wirst meine Seele nicht in der Hölle lassen', BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig.

THURI, František Xaver (1939-2019) - Concerto per il Oboe

František Xaver Thuri (1939-2019) - Concerto (d-moll) per il Oboe

Performers: Jan Nepomuk Thսri (oboe); Prague Chamber Soloists; František Xaver Thսri (1939-2019, conductor)

Painting: Pieter Jacob Horemans (1700-1776) - Elegant figures dining in a landscape

Further info: The Last Master of Baroque Prague

---

František Xaver Thuri

(Praga, 29 April 1939 - Praga, 22 April 2019)

Czech composer, harpsichordist, oboist, organist, musicologist and pedagogue. After graduating from the Prague Conservatory majoring in organ studies, he went on to study oboe at the Janáček Academy of Music and Performing Arts. He had worked as an oboist for the Prague Radio Symphony Orchestra and Prague Chamber Orchestra. He was known for his tenure as a professor of the Prague Conservatory where he had taught a number of notable Czech oboe players (among them, his son Jan Thuri and the soloist Vilém Veverka), who constitute the main corpus of current soloists in Czech orchestras and solo oboe performers. In the Czech Republic he was often called 'the last baroque composer', having written an extensive number of works in baroque and early classicism style.

FALCKENHAGEN, Adam (1697-1754) - Concerto a 3 (c.1743)

Adam Falckenhagen (1697-1754) - Concerto (D-Dur) a 3 aus

'Sei concerti a liuto, traverso, oboe ò violino e violoncello' (c.1743)

Performers: Lutz Kirchhοf (lute); Sabine Drеiеr (traverso); Martina Dеgеn (viola da gamba)

Painting: French School (18th Century) after Domenichino (1581-1641) - Concert

Further info: Bayreuther Hof Musique

---

Adam (Adamo) Falckenhagen [Falkenhagen]

(Grossdalzig, 26 April 1697 - Bayreuth, 6 October 1754)

German lutenist. He was the son of Johann Christian Falckenhagen, a schoolmaster. When he was ten he went to live for eight years with his uncle Johann Gottlob Erlmann, a pastor in Knauthain near Leipzig. There he underwent training ‘in literis et musicis’, particularly the harpsichord and, later, the lute. He then perfected his lute playing with Johann Jacob Graf in Merseburg, where in 1715 he is mentioned as a footman and musician in the service of the young Count Carl Heinrich von Dieskau. In the winter term of 1719 he entered Leipzig University; a year later he went to Weissenfels, where he remained for seven years as a lute teacher. From about 1724 he was also employed as a chamber musician and lutenist at the court of Duke Christian, where his presence is documented for 1726, together with that of his wife, the singer Johanna Aemilia. During this time he undertook various tours and enjoyed several months’ instruction from the famous lutenist Silvius Leopold Weiss in Dresden. After two years in Jena, he was in the service of Duke Ernst August of Saxony-Weimar from May 1729 to 15 August 1732. By 1734 he was employed at the Bayreuth court. In 1736 Margrave Friedrich appointed him ‘Virtuosissimo on the Lute and Chamber Musician Second to the Kapellmeister Johann Pfeiffer’. About 1746 he referred to himself as ‘Cammer-Secretarius Registrator’ of Brandenburg-Culmbach. Falckenhagen was one of the last important lute composers. Although some of his works are rooted in the Baroque tradition like those of his teacher, Weiss, they show a progressive tendency towards the galant style.

MOHRHEIM, Friedrich Christian (1718-1780) - Gott fähret auf mit Jauchzen

Friedrich Christian Mohrheim (1718-1780) - Gott fähret auf mit Jauchzen (1768)

Performers: Ingrida Gápová (soprano); Klaudia Trzasko (soprano); Bettina Ranch (alto); Georg Poplutz (tenor);

Stefan Geyer (bass); GoIdbеrg Baroque Ensemble; Andrzej MikoIаj Szаdеjko (conductor & organ)

Painting: After Guido Reni (18th Century) - Aurora

Further info: The Gdańsk Baroque Cantatas

---

Friedrich Christian (Samuel) Mohrheim [Morheim]

(Neumark, near Weimar, 26 April 1719 - Danzig [Gdańsk], 5 October 1780)

German composer. Son of Johann Elias Mohrheim, Kantor in Neumark, he enrolled at the Thomasschule in Leipzig on 18 April 1733. There he studied with J.S. Bach from 1733 to 1736, and, like other J.S. Bach's pupils, acted as copyist for him during this period, identified in the manuscripts. He continued his studies at Universität Jena from 1738 (enrollment on February 4, 1738); and at Universität Halle from 1739 (enrollment on June 9, 1739). After his studied, he was appointed substitute of Johann Balthasar Christian Freißlich from 1750 and Kapellmeister from 1764 at St. Marien in Danzig, where he died. As a composer, his output consists primarily of sacred music, though he also wrote several concertos and organ works.