divendres, 9 de setembre del 2022

TEYBER, Anton (1756-1822) - Concerto per il Corno

Albert Schindler (1805-1861) - Portrait of Emmanuel Rio (horn) (1836)


Anton Teyber (1756-1822) - Concerto per il Corno
Performers: Zbіgnіеw Zuk (horn); Wroclaw Chamber Orchestra; Jan Stanіеnda (conductor)

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Austrian composer, pianist, organist and cellist, son of Matthäus Teyber (c.1711-1785) and brother of Elisabeth Teyber (1744-1816), Therese Teyber (1760-1830) and Franz Teyber (1758-1810). After early education in Vienna he studied for some years in Bologna with Padre Martini, being there almost certainly as late as 1775. He then appeared in several Italian musical centres, touring with his sister Elisabeth, and in Spain and Portugal (also Germany and Russia, according to a biographical sketch), before returning to Vienna about 1781. He was admitted to the Viennese Tonkünstler-Sozietät in 1784, and in 1787 entered the Hofkapelle at Dresden as first organist. At the end of 1791 he returned to Vienna and on 1 December took up a post as deputy to Joseph Weigl at the National-Hoftheater. However, cuts in the musical establishment under Franz II led to his losing his post, though he was successful in petitioning the emperor for help; on 1 March 1793 he was appointed court composer (a post that had not been filled after Mozart’s death) and instructor in keyboard to the imperial children. A Missa solemnis in C minor was written for and performed on the occasion of Archduke Rudolph’s appointment as Cardinal and Archbishop of Olmütz (Olomouc) in 1819 (the archduke was a pupil of both Teyber and Beethoven), and he is recorded as having conducted other large works in the imperial chapel in 1820 and 1821; a mass by him was performed with great success at Olmütz Cathedral on Easter Sunday 1822. He also wrote a melodrama Zermes (or Zerbes) und Mirabelle (1779), two oratorios, Gioas, rè di Giuda and La passione di Gesù Cristo (performed in 1805 for Teyber’s benefit at the Tonkünstler-Sozietät), and a quantity of orchestral, chamber and church music, most of which was bought from his widow by Archduke Rudolph and later passed with his estate into the possession of the Gesellschaft der Musikfreunde.

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