Johann Ernst Eberlin (1702-1762)
- [M]issa (solemnis brevis) | à | Voci.
con | Violini. | Clarini. | Timpani. | Organo. | è | Bassi Soliti.
Performers: Soli, Domchor & Domorchester Salzburg; Andrea Fournier (conductor)
Further info: Johann Ernst Eberlin (1702-1762) - Missa in C
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German composer and organist. He received his earliest musical education
 at the Jesuit Gymnasium in Augsburg in 1712, where he was a pupil of 
Georg Egger and Balthasar Siberer. He moved to Salzburg in 1721 to 
attend university, and in 1727 he was named organist in the main 
cathedral. By 1749 he had attained the position of Kapellmeister for 
Archbishop Schrattenbach, which he held until his death. In 1752 
Eberlin’s daughter Maria Josefa Katharina Eberlin (1730-1755) married 
Anton Cajetan Adlgasser, who two years later became cathedral organist. 
Eberlin received the honorary appointment of Titular-Truchsess, or 
princely steward, in 1754 and was widely honoured and respected at the 
time of his death. Leopold Mozart, in his description of the Salzburg 
musical establishment (published in F.W. Marpurg’s 'Historisch-kritische
 Beyträge zur Aufnahme der Musik', 1757), called Eberlin ‘a thorough and
 accomplished master of the art of composing … He is entirely in command
 of the notes, and he composes easily and rapidly … One can compare him 
to the two famous and industrious composers, [Alessandro] Scarlatti and 
Telemann’. As a composer, he was known mainly for his sacred music, 
which was written for both the main cathedral, the Benedictine-run 
university, and the St. Peter’s monastery church. These include over 95 
plays and other didactic music such as the monodrama 'Sigismundus' 
(1763), 11 oratorios, three operas, 58 Masses, 160 settings of the Mass 
Proper, numerous hymns, litanies, Psalms, and responsories as well as 21
 German sacred arias, nine Requiems, three symphonies, nine toccata and 
fugues, 65 preludes and versetti, and other smaller keyboard works. 
Eberlin influenced composers of the next generation chiefly through his 
sacred vocal music, among them Leopold and Wolfgang Amadeus Mozart, and 
Johann Michael Haydn. His daughter, Maria Caecilia Barbara Eberlin 
(1728-1806), also became a composer and was married to composer Joseph 
Meissner.

 
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