dimecres, 18 de maig del 2022

STANLEY, John (1712-1786) - Concerto (I) for the Organ, Opera X (1775)

Marie-Philippe Coupin De La Couperie (1773-1851) - Woman At The organ Before A Statue Of The Virgin And Child


John Stanley (1712-1786) - Concerto (I) for the Organ, Opera X (1775)
Performers: Stephen Farr (organ); London Bach Consort

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English composer, organist and violinist. He became blind as the result of a domestic accident at the age of two, and began to study music as a diversion when he was seven. Little progress was made under his first teacher, John Reading, but he got on so well under Maurice Greene at St Paul's Cathedral that before he was 12 he was appointed organist at the nearby church of All Hallows Bread Street. In 1726 he was elected to a similar post at St Andrew's, Holborn, ‘in preference to a great number of candidates’ (Burney), and in 1734 he was made organist to the Honourable Society of the Inner Temple, having resigned from All Hallows in 1727. According to his pupil John Alcock, Stanley's playing of voluntaries at the Temple and St Andrew's attracted musicians from all over London, including Handel. He was also an excellent violinist and for several years directed the subscription concerts at the Swan Tavern, Cornhill, and the Castle, Paternoster Row. In 1729 he became the youngest person to gain a BMus degree from Oxford University. Stanley was married in 1738 to Sarah, the elder daughter of Captain Edward Arlond of the East India Company, who brought him a dowry of £7000. In the same year the couple took up residence in Walbrook, where Sarah's sister Ann joined them and later acted as Stanley’s amanuensis. Shortly after his marriage he became friendly with the future music historian John Hawkins, who supplied Stanley with texts for solo cantatas and who later lived across the road from the Stanleys following their move to Hatton Garden in 1751. Thanks largely to his remarkable memory, Stanley was able to enjoy a comfortable living as an organist and teacher and to join in music-making and card-playing with a large circle of friends. He was also able to direct several Handel oratorios during the 1750s, and after Handel's death in 1759 he assumed responsibility for the annual Lenten oratorio seasons at Covent Garden (later at Drury Lane), first with J.C. Smith and from 1776 with Thomas Linley. His own oratorios Zimri (Covent Garden, 12 March 1760) and The Fall of Egypt (Drury Lane, 23 March 1774) were modelled closely on Handel's, but were apparently unsuccessful. In 1770 he was elected a governor of the Foundling Hospital and until his death took a keen interest in its musical affairs, directing the annual Messiah performances in 1775-77, and selecting and composing music for the chapel services. He also took part in charitable performances at the Magdalen Hospital. In 1779 he succeeded Boyce as Master of the King's Band of Musicians, in which capacity he composed 15 New Year and birthday odes. His collection of music, books and instruments was auctioned at Christie's in June 1786. 

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