divendres, 7 d’agost del 2026

TITZ, Anton Ferdinand (1742-1810) - Sinfonia in C-Dur

Thomas Rowlandson (1756-1827) - A Musical Family (1802)


Anton Ferdinand Titz (1742-1810) - Sinfonia in C-Dur
Performers: Pratum Integrum Orchestra
Further info: Instrumental Music

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German violinist and composer. He was orphaned at an early age and was taught painting in Nuremberg by his uncle and aunt. By the age of 16 he was a violinist at St Sebaldus’s church there. After an unhappy love affair a few years later he went to Vienna, where he played in the opera orchestra and may have studied with Joseph Haydn. In 1771 he became a member of the Hofkapelle in St Petersburg; Catherine the Great paid him the highest salary of any of her court musicians. He also taught at the theatre school, gave the future Tsar Aleksandr I violin lessons, directed a court chamber orchestra (which included the clarinettist Joseph Beer and other outstanding musicians), and performed publicly, for instance in 1782, but most of his performances were at court, as a violinist and viola d'amore player. Later in life he suffered a mental disorder that sometimes prevented him from working, but he was encouraged and protected by Senator Aleksey Grigoryevich Teplov, a St Petersburg amateur musician. He dedicated three string quartets to Teplov and three more to Aleksandr I. Ludwig Spohr remarked in 1803 that his former technique, noted particularly for sensitivity in adagios, had largely vanished. His salon cantata, 'Le pigeon bleu et noir gémit', was a favorite with private audiences in St. Petersburg on into the 19th century. Anton Ferdinand Titz established a reputation in Europe for his development of the string quartet, of which he composed 18. Other works include 11 violin sonatas, 10 string quintets, three duos for two violins, a symphony, and a violin concerto. Other works composed for the Russian court have been lost. He has often been confused with the Dresden violinist Ludwig Tietz (1774-1827).

dimecres, 5 d’agost del 2026

HERNANDEZ Y LLANA, Francisco (c.1700-1780) - Cantada de Navidad (1765)

Franz Carl Remp (1675-1718) - Der Tanz um das goldene Kalb


Francisco Hernandez y Llana (c.1700-1780) - Aria 'Barbaro' de la Cantada de Navidad 'Allende el orbe' (1765)
Performers: Mariví Blasco (soprano); Harmonia del Parnàs; Marian Rosa Montagut (conductor)
Further info: Bárbaro

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Spanish composer. Originated from Lubiano (Álava), he was born in Alzira (Valencia). He began his career in 1723 upon being appointed maestro de capilla at Astorga Cathedral, during which time he also made unsuccessful attempts to secure the post at Santiago de Compostela Cathedral in 1723 and 1724. He subsequently moved to Valencia in 1728 to serve at the Royal College Seminary of Corpus Christi (El Patriarca), before being appointed maestro de capilla at Burgos Cathedral in 1729, a prestigious position he held for over five decades until his death. As a composer, he cultivated a vast repertoire primarily dedicated to sacred music, characterized by liturgical works and vernacular compositions; notably, his surviving output includes sacred pieces housed across his former places of employment (Astorga, El Patriarca, and Burgos) as well as archives in El Escorial, Segorbe, and Arantzazu (which preserves three Spanish-texted religious works), alongside nine instrumental recercadas preserved at El Patriarca. 

dilluns, 3 d’agost del 2026

PEREYRA DA COSTA, Antonio (c.1697-1770) - Concerto grosso (1741)

Jan Josef Horemans (1682-1759) - A park landscape with a musical party outside an Italianate villa


Antonio Pereyra da Costa (c.1697-1770) - Concerto grosso (b-moll) 'Concertos grossos com doys violins, e violão de concertinho obrigados: e outros doys violins, viola e orgão, de concerto grosso a arbitrio
... opera premeira' (1741)
Performers: Ensemble Bonne Corde; Diana Vinagre (conductor)
Further info: Concerti Grossi

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Portuguese composer and priest. His early years are unknown. He served as the mestre de capela at the Cathedral of Funchal in Madeira from around 1740 until his death. While contemporary accounts, such as the 1750 Gazeta de Lisboa, attest to his composition of vocal works for regional religious observances, his enduring musicological significance rests upon his surviving Opus 1, a collection of twelve concerti grossi (1741). This corpus constitutes a critical milestone in Iberian music history, representing both the sole extant set of 18th-century concerti grossi of Portuguese provenance and the first printed musical publication by a Madeira-based musician. Stylistically, Pereira da Costa’s instrumental work demonstrates a rigorous mastery of the Corellian Italianate structural model, which he innovatively synthesized with distinct Iberian melodic and rhythmic idioms to produce a highly localized and vibrant expression of the late Baroque aesthetic. He also published 12 Serenatas for the Guitar (London, c.1755).

diumenge, 2 d’agost del 2026

MÜLLER, Johann Kasper (1743-1804) - Magnificat

Francesco Panini (1745-1812) - Innenansicht von St. Peter in Rom mit päpstlicher Prozession


Johann Kasper Müller (1743-1804) - Magnificat aus 'Vesperae ex C'
Performers: Cantus et Musica Freiburg; Raimund Hug (conductor)

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Johann Kasper Müller [Muller]
(1743 - Freiburg?, 1804)

German composer. Nothing is known of his life and career. He was probably active as a composer in Freiburg im Breisgau. He presumably served as a parochial organist or Kapellmeister, contributing functional sacred repertoire to the Catholic liturgical traditions of southwestern Germany. While much of his output remains lost, his legacy rests upon a recently recovered collection of Vesperae ex C. This extant manuscript offers insight into regional sacred composition, demonstrating a conservative yet refined adherence to late 18th Century choral counterpoint and homophonic textures characteristic of the southern German church style.

divendres, 31 de juliol del 2026

STRATIKO, Josip Mihovil (1728-1783) - Concerto a due Violini Obbligati

Elias Mögel (?-1786) - Still life with a violin (1760)


Josip Mihovil Stratiko (1728-1783) - Concerto (D-Dur) a due Violini Obbligati
Performers: Bojan Čіčіć & Ivan Jаkšеkovіć (violins); Croаtіаn Baroque Ensemble

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Croatian composer and violinist. The son of a Venetian nobleman, he received his education in Padua, where he studied under Giuseppe Tartini and Antonio Sberti. Sometime between 1758 and 1763 he moved to Sanguinetto, a town near Verona, where he accepted the position of vicario. Also there, he wrote his treatise, Trattato di musica, as well as taught pupils. Due to his family connections, he had little need to find employment, and thus he could concentrate on his own theories and musical composition. His works still need a thorough study and include 35 symphonies, 61 violin concertos, 15 violin duos, 170 violin sonatas, six string quartets, and 50 trios, as well as a number of smaller chamber works. His finest compositions are his concertos for the violin, which are strongly influenced by Tartini, and his six string quartets. His brother Symeon Filippos Stratigos (1733-1824) was a prominent physician, educator and scientist known to Goldoni and Voltaire.