Johann David Heinichen (1683-1729)
- Concerto (G-Dur) à 7, SeiH 215
Performers: Accademia Bizantina
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German composer and theorist. He was the son of David Heinichen who,
after an education at Leipzig's Thomasschule and the university, moved
to Krössuln for a lifelong career as pastor. Johann David also attended
the Thomasschule Leipzig. There he studied music with Johann Schelle and
later received organ and harpsichord lessons with Johann Kuhnau. The
future composer Christoph Graupner was also a student of Kuhnau at the
time. Heinichen enrolled in 1702 to study law at the University of
Leipzig and in 1705-06 qualified as a lawyer (in the early 18th century
the law was a favored route for composers; Kuhnau, Graupner and Georg
Philipp Telemann were also lawyers). Heinichen practiced law in
Weissenfels until 1709. However, Heinichen maintained his interest in
music and was concurrently composing operas. In 1710, he published the
first edition of his major treatise on the thoroughbass. He went to
Italy and spent seven formative years there, mostly in Venice, with
great success with two operas, Mario and Le passioni per troppo amore
(1713). Mario was staged again in Hamburg in 1716 with the German title,
Calpurnia, oder die romische Grossmut. In 1712, he taught music to
Leopold, Prince of Anhalt-Köthen, who took him as composer. The same
prince would appoint Johann Sebastian Bach Kapellmeister at the end of
1717. In 1716, Heinichen met in Venice Prince Augustus III of Poland,
son of King Augustus II the Strong, and thanks to him was appointed the
Royal-Polish and Electoral-Saxon Kapellmeister in Dresden. His pupils
included Johann Georg Pisendel. In 1721, Heinichen married in
Weissenfels; the birth of his only child is recorded as January 1723. In
his final years, Heinichen's health suffered greatly; on the afternoon
of 16 July 1729, he was buried in the Johannes cemetery after finally
succumbing to tuberculosis.
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