dilluns, 5 d’abril del 2021

REICHARDT, Johann Friedrich (1752-1814) - Concerto per il Violino (1773)

Jules Cesar Denis van Loo (1743-1821) - A river landscape with ruins of an aqueduct


Johann Friedrich Reichardt (1752-1814) - Concerto per il Violino concertato (1773)
Performers: Ernö Sebestyen (violin); RIAS-Sinfonietta Berlin

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German composer, political writer and writer on music. Son of a lutenist, Johann Reichardt (c.1720-1780), he received his early musical education from his father, as well as Franz Veichtner and Carl Gottlieb Richter. He attended Königsberg university, where he became acquainted with the philosophy of Emanuel Kant, but in 1771 he embarked on an extensive tour of Germany to further his own musical education. In 1775 he applied for and won the post of Kapellmeister to Frederick II though he had little experience in musical composition, and in 1777 he married Julianne Benda, daughter of Franz Benda and composer in her own right. Tours to Italy and Vienna in 1783 (where he became friends with Joseph Martin Kraus) as well as France and England in 1785 both broadened his education and served to implement a Concert spirituel in Berlin. In 1791 he retired to his country home in Giebichenstein due to illness, and shortly thereafter he was denounced as a revolutionary. After the Napoleonic invasion, he was offered the post of musical director in Kassel, but he spent the last years of his life in poverty. Reichardt can be seen as one of the most intellectual composers of the period. His views on musical life, published as a series of letters, evoke Charles Burney, while his 1774 'Über die deutsche komische Oper' must be seen as a seminal work on the genre. He was close friends with Johann Wolfgang von Goethe and Friedrich von Schiller, working with the former in 1789 on the Singspiel Claudine von Villa Bella. His musical style is often dramatic, with orchestration that foreshadows the Romantic period, and he can be considered both an adherent of the Sturm und Drang style and one of the principal composers of Lieder of the Berlin School. His compositions include 1500 Lieder, 29 operas (mostly Singspiels), 11 sets of incidental music to plays, two ballets, two oratorios, 13 German cantatas, a Requiem, two Te Deums, eight Psalms, nine symphonies, 11 concertos (nine for keyboard), three quintets, a quartet, 15 trios, 26 keyboard sonatas, 16 violin sonatas, and over 100 horn duets.

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