dilluns, 23 d’agost del 2021

ISOLA, Gaetano (1754-1813) - Concerto per clavicembalo obbligato

Remondini collection - Gezicht op het Piazza Banchi te Genua


Gaetano Isola (1754-1813) - Concerto per clavicembalo obbligato (live recording)
Performers: Davide Mingozzi (cembalo); L’Arcadia Ligustica

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Italian composer. It is known from a letter he wrote to Padre Martini (in I-Bc) that he spent about ten years at the Palermo Conservatory studying for a diploma as maestro di cappella. Returning to Genoa in 1775 he began a career as a composer and music director. From 1777 to 1796 he was maestro di cappella at various churches and from 1789 maestro al cembalo at the Teatro S Agostino, of which he also seems to have been director at least for the last years of his life. In 1800 he was a member of the music section of the Istituto Nazionale della Liguria. Between 1785 and 1797 six operas and an oratorio by him were performed in Genoa, Turin, Florence and Lisbon to public acclaim. Two in particular were big spectacle pieces. For La conquista del vello d’oro Boggio chose a mythological subject on which to construct an opera in the French style. It incorporates a dance of the infernal spirits and some machine spectacle in the form of a fire-breathing dragon and a temple of the sun appearing in mid-air. The trio that closes Act 2 contains programmatic storm music, generously scored for percussion and wind including solo bassoon, clarinet and trumpet in addition to the usual oboe and horn. In Le danaidi, the innovatory librettist Sertor provided a formally more fluid work including many ensembles, choruses and pantomime. Two of the ensembles involve some action, and several include a chorus. Besides operas Isola wrote songs and sacred and instrumental music; his works survive only in manuscript. His sacred music includes a Credo and four-voice mass for the coronation of the doge Raffade de Ferrari, dated 25 November 1787. Isola also composed a few cantatas for the Accademia biennale delle Scuole Pie in Genoa. Of his stage works, in most cases only the librettos and a few arias survive. His pupils included the English tenor and composer John Braham.

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