diumenge, 24 de juliol del 2022

LUBECK, Vincent (1654-1740) - Kantate 'Ich hab hie wenig guter Tag' (1693)

Nicolaes Pietersz. Berchem (1620-1683) - The Calling of St Matthew (c.1657)


Vincent Lübeck (1654-1740) - Kantate 'Ich hab hie wenig guter Tag' (1693)
Performers: David Cordier (contratenor); Graham Pushee (contratenor); Harry Geraerts (tenor); Harry van der Kamp (bass); New College Choir Oxford; Fiori Musicali; Thomas Albert (conductor)

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German composer, organist and teacher. He was the son of another Vincent Lübeck (?-1654), who had worked as an organist in Glückstadt and, from 1647, at the Marienkirche, Flensburg, where he was succeeded in 1654 by Caspar Förckelrath. Förckelrath married the widow and was the younger Vincent’s first teacher; according to Syré (1999), Vincent may also have studied with Andreas Kneller, with whose keyboard music his own shows parallels. Towards the end of 1674 Lübeck became organist of St Cosmae et Damiani, Stade, near Hamburg, marrying, as was a custom, his predecessor’s daughter, Susanne Becker. The fine organ that Arp Schnitger completed there in 1679 was no doubt a factor that persuaded him to remain until 1702. His brilliant reputation then won him the appointment of organist of the Nikolaikirche, Hamburg, which he held until his death. It too had a Schnitger organ, a four-manual instrument of 67 stops, one of the largest in the world, that was considered the best in a prosperous musical city. In his postscript to F.E. Niedt’s Musicalische Handleitung (Hamburg, 2/1721), Mattheson summed up as follows: ‘This extraordinary organ … also has an extraordinary organist. But how to extol someone who is already greatly renowned? I need only give his name, Vincent Lübeck, to complete the whole panegyric’. Numerous contemporary documents attest to his wide reputation as an organ consultant throughout north Germany. He attached particular importance to reed choruses, even in smaller organs. On several occasions he passed judgment on Schnitger’s work, not only in the churches of large cities such as Hamburg (Nikolaikirche, Georgenkirche, Jacobikirche) and Bremen (St Stephani Cathedral), but also in those of Oberndorf (Georgenkirche), Hollern (St Mauritius), Sittensen (St Dionys) and other smaller places. As a teacher he was much sought after and commanded as much as 20 thaler a month from articled pupils, more than he received in salary as organist. His most important pupils included C.H. Postel and M.J.F. Wiedeburg; he also taught two of his sons, Peter Paul Lübeck (1680-1732), who followed him at Stade, and Vincent Lübeck (1684-1755), also composer and organist.

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