George Onslow (1784-1853)
- Ouverture 'Le Colporteur, ou L’enfant du bûcheron' (1827)
Performers: Le Cercle de l'Harmonie; Jérémie Rhorer (conductor)
Further info: George Onslow (1784-1853) - Symphony No.3 (1834)
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French composer of English descent. He was the grandson of the first
Lord Onslow. He studied in London with Nicolas-Joseph Hüllmandel, Jan
Ladislav Dussek, and Johann Baptist Cramer and in Paris with Anton
Reicha. A gifted amateur, he wrote his first works before 1807. He
married Delphine de Fontanges in July 1808. He based himself near
Clermont-Ferrand, initially at his father's Château de Chalendrat at
Mirefleurs, later at Château de Bellerives at Perignat, La Roche-Noire.
He typically visited Paris during the concert season, when his works
were often performed by musicians including the violinists Pierre
Baillot and Théophile Tilmant, and the brothers Dancla, who gave quartet
concerts. From 1824 to 1837 he wrote his three comic operas, L'Alcalde
de la Vega (1824), Le colporteur, ou L'enfant du bucheron (1827), and
Guise, ou Les etats de Blois (1837) but they never achieved the success
he was expecting for. However, he was highly praised by his chamber
music in which he demonstrated an uncommon mastery of counterpoint.
During the summer of 1829 he had a near-fatal accident when out hunting.
While convalescing, he composed the last three movements of a quintet
he had begun before the accident. This quintet, op.38, known as ‘De la
balle’, remained the composer's mascot. In 1830 he became the second
honorary member of the London Philharmonic Society. In 1834 he was
elected president of the Athénée Musical. He succeeded Cherubini at the
Académie des Beaux-Arts in 1842, and his career became established in
these years. In 1852 he was affected by rheumatic pains and failing
sight in the left eye, and gave up composing for ever. Despite he was
mainly active in France, his work was particularly successful in Germany
and Austria throughout the first half of the 19th century, as the many
editions of his works show. Kistner and Breitkopf & Härtel, in
particular, competed for the privilege of publishing Onslow in the
German-speaking countries.
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