dimecres, 2 de març del 2022

VIOTTI, Giovanni Battista (1755-1824) - Piano Concerto in g (1794)

Unknown artist - G.B. Viotti (c.1783)


Giovanni Battista Viotti (1755-1824) - Piano Concerto in g (1794)
Performers: Eugen List (1918-1985, piano); Austrian Tonkuenstler Orchestra; Zlatko Topolski (conductor)

---


Italian violinist and composer. Viotti was probably of humble origins (according to Fétis his father was a blacksmith), and his talent was manifest early. In 1766 he was taken to Turin under the protection of Prince Alfonso dal Pozzo della Cisterna, in whose home he lived and was educated. He first studied with Antonio Celoniat, but when Pugnani returned from London in 1770, Viotti became his pupil. Widely travelled and highly regarded as a performer and composer, Pugnani had been a pupil of G.B. Somis and was, through him, the heir of Corelli. He was the only teacher Viotti acknowledged in later life. Viotti entered the orchestra of the royal chapel at Turin on 27 December 1775. For five years he occupied the last desk of the first violins. Early in 1780 he and Pugnani set out on a concert tour, first to Switzerland, then to Dresden and to Berlin, where Viotti’s first publication, the concerto in A now known as no.3, was issued in 1781. Concerts in Warsaw preceded an extended visit to St Petersburg, and late in 1781 they returned to Berlin. Until this time Viotti had been presented as the ‘pupil of the celebrated Pugnani’, but he parted with Pugnani in Berlin and proceeded alone to Paris. After at least one private appearance Viotti made his début at the Concert Spirituel on 17 March 1782. His success was instantaneous, and it established him at once in the front rank of all violinists. After 8 September 1783 he retired abruptly from public concerts, and in January 1784 he entered the service of Marie Antoinette at Versailles. In 1788, having secured the patronage of the Count of Provence, he established a new opera house called the Théâtre de Monsieur. He proved a vigorous and ambitious administrator. His excellent company introduced a number of important works, both Italian and French, including the operas of his friend and associate Cherubini. By mid-1792 the Revolution had made Viotti’s situation untenable, and in July he fled to London. 

He had completed the most successful and influential period of his life; probably half of his published works, including 19 violin concertos, had appeared during the decade in Paris. In London Viotti turned again to performance and made a thoroughly successful début at Salomon’s Hanover Square Concert on 7 February 1793. In 1795 he became musical director of the new Opera Concerts. In the 1794-5 season he served as acting manager of Italian opera at the King’s Theatre and succeeded William Cramer as leader and director of the orchestra at the King’s Theatre in 1797. In February 1798 the British government, suspecting Viotti of Jacobin activity, ordered him to leave the country. There is no evidence that the order was justified, and Viotti protested his innocence in a statement to The Times and in an autobiographical sketch written a few months later. For a year and a half he lived with English friends in Schenfeldt, near Hamburg, where he published a set of duos op.5, conceived ‘some in pain, some in hope’, according to the dedication. He left Germany in July 1799, and by 1801 (probably earlier) he had returned to London. He then retired almost entirely from music and devoted his energies to a wine business which he had entered before his exile. He continued to play and compose for his friends, and his works continued to be published in London and Paris, but he made no effort to re-establish his musical career. The failure of his business in 1818 left Viotti deeply in debt to his English friends. His former patron, the Count of Provence, was now Louis XVIII, and on 1 November 1819, having applied for the position, Viotti was appointed director of the Paris Opéra. But the assassination of the Duke of Berry at the Opéra less than four months later aroused the antipathy of the public and the royal patrons. Viotti struggled with the difficulties for more than a year and in November 1821 he resigned. In 1823 he returned to London to be with his closest friends, Mr and Mrs William Chinnery. He died in their home in Portman Square. 

Cap comentari:

Publica un comentari a l'entrada