dilluns, 4 d’abril del 2022

PUCCINI, Domenico (1772-1815) - Concerto di Piano-Forte

Sebastian Gutzwiller (1801-1872) - A Family Concert in Basel (1849)


Domenico Puccini (1772-1815) - Concerto (en si bemolle maggiore) di Piano-Forte
Performers: Eugen List (1918-1985, piano); Austrian Tonkuenstler Orchestra; Zlatko Topolski (conductor)

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Italian composer, son of Antonio Puccini (1747-1832) and grandson of Giacomo Puccini (1712-1781). He was first taught by his parents and – with a bursary from the Lucca authorities, like his father – continued his studies in Bologna (1793-96) under Mattei and in Naples (1797-99) under Paisiello, which undoubtedly directed him – the first of his family – towards a theatrical career, and he remained in frequent, friendly correspondence with him. Having returned to Lucca, after the dispersal of the Cappella di Palazzo where he worked with his father (he also played beside him on the organ of S Martino), Domenico was from 1806 to 1809 director of the small Cappella di Camera (founded by Napoleon’s sister, Elisa Baciochi, then Regent of Lucca) and of a municipal chapel from 1811 to 1815. His sudden death in that year was not, as has been claimed, the result of poisoning for political reasons. In an early 19th-century engraving by Luigi Scotti, Domenico appears with other well-known contemporary musicians, a sure sign of the esteem that his music enjoyed. Domenico’s output is more varied than that of his father and grandfather: besides sacred music, often sensitive to changing political conditions, he wrote instrumental and vocal chamber works, but was chiefly involved in opera composition. His style is completely theatrical, even in sacred and vocal chamber compositions; it differed from that of his father so much that his father could not complete his unfinished Te Deum. The style is very simple and fluid; in his operas, especially the comic ones, he reveals an outstanding dramatic sense and a fresh and spontaneous inspiration, along with the assimilation of styles present in the comic operas of the time, particularly those of the farsa. His son Michele Puccini (1813-1864) was a teacher and composer. 

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