divendres, 26 de gener del 2024

DA SILVA, Policarpo José António (1745-1803) - Concerto Per Violoncello

Robert Sayer (1725-1794) - Gezicht op de stad Lissabon (1752)


Policarpo José António da Silva (1745-1803) - Concerto Per Violoncello obligato con Violini e Basso
Performers: Edoardo Sbаffі (violoncello); Amаzonаs Baroque Ensemble

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Portuguese singer and composer. He became a member of the St. Cecilia Brotherhood on 19 February 1761 and a signatory to a reform of its statutes in 1765 (Vieira 1900, pp. 324-325; Ribeiro 1995, p. 17). In 1763, Policarpo da Silva was admitted as a singer of the Patriarcal, while in 1771 he auditioned to become a member of the Capela Real da Ajuda at a salary of 30000 réis per month (Fernandes 2009, p. 242). In addition, he was a royal chamber musician and music teacher. A printed collection of his Italian canzonette on texts by Metastasio, entitled La Primavera (1787), describes him as ‘Professore di Musica All'Attuale Servizio delia Cappella e Camera Reale di Sua Maestá Fedelissima’. Similarly, on the title-page of a cantata dedicated to D. Carlota Joaquina, composed on the occasion of her birthday in 1799 (P-La, 48-III-35), he calls himself ‘Musico di Cappella e coi Camara di S. M. F. [Sua Majestade Fidelíssima]’. While not formerly employed as a teacher at the Seminário da Patriarcal, he had many private students (Fernandes 2009, p. 397) and performed in private chamber concerts, including several times for William Beckford, who regarded him as a ‘famous tenor’ in 1787. A set of Solfejos for soprano (P-Ln, C.I.C. 7) is a testament to his work as a teacher. The title-page of a Marcha e Contredança (P-Ln, M.M. 6003) for piano with accompaniment for two violins and flute implies he was the music master of D. José João Miguel de Bragança e Ligne, 1st Duke of Miranda do Corvo, in 1800. 

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