dilluns, 29 de juny del 2026

ENGEL, Jan (?-1788) - Sinfonia in Es-Dur (1772)

Bernardo Bellotto (1722-1780) - Kosciol brygidek i arsenal


Jan Engel (?-1788) - SINFONIA (Es-Dur) | A | Violini, Oboe, Corni, | Alto, e Basso. | [by hand with black ink: "Due Clarinetti"] | DEDICATA | A SUA ECCELLENZA | II Sig|r: Conte | PRZEZDZIECKI. ... ANNO 1772
Performers: Capella Claromontana; Jan Tomasz Adamus (conductor)
Further info: Musica Claromontana 15

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Polish composer, printer and music publisher. He served as Kapellmeister at the Cathedral of St. John in Warsaw between 1771 and 1772, during which time he established a printing press on Ulica Krzywe Koło that remained operational until 1776. In 1772, he independently published six of his own symphonies, issued separately with uniform title pages and distributed through the Warsaw booksellers M. Gröll and J.A. Poser; while extant copies of the first three symphonies are preserved in the Pauline Monastery in Częstochowa, the remaining works are known exclusively through contemporary Warsaw press announcements and entries in the Breitkopf (Leipzig) catalogs spanning 1772, 1777, and 1785-1787. The following year, he compiled and published a collection titled 'Mélanges de Musique pour le clavecin par Monsieur Engel', which notably featured works by M. Kamieński alongside what were highly probable to be his own compositions and those of other contemporaries, though this publication was regrettably destroyed during World War II. In tandem with advertising this collection, he offered for sale various manuscripts and prints, including Masses, motets, arias, duets, and oratorios, alongside a novel, proprietary "music printing machine of his own invention" before resigning from his cathedral post on September 1, 1773. A subsequent notice in the Gazeta Warszawska, dated February 14, 1776, documented the relocation of his printworks to the Wędrychowska tenement on ul. Kamienne Schodki and publicized the release of "new Polish dances arranged for the harpsichord" as well as twelve forthcoming pieces. Ultimately, given the scarcity of surviving historical data, evidence suggests that Engel’s publishing endeavors were sporadic, representing the pioneering, independent efforts of a single individual.

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