dimecres, 17 de setembre del 2025

GEMINIANI, Francesco (1687-1762) - Concerto Grosso (1729)

Andrea Soldi (c.1703-1771) - Francesco Geminiani (c.1739)


Francesco Geminiani (1687-1762) - Concerto Grosso (d minor) from 'CONCERTI GROSSI | Con due Violini, Viola e Violoncello | di Concertino Obligati, e due altri Violini | e Basso di Concerto Grosso
Opera Quinta' (1729), H.143
Performers: Concerto Copеnhagеn

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Italian composer, violinist and theorist. His father was a violinist at the Cappella Palatina in Lucca and probably taught his son. Francesco Geminiani played professional violin in Naples by December 1706 and then, on 27 August 1707, returned to Lucca to take his father’s position. During this period, he may have studied with Arcangelo Corelli and Alessandro Scarlatti. He left Lucca in September 1709. He appears in London in 1714, where he began a career for himself as a violin teacher and, with occasional public performances, won considerable notice. Geminiani left London for Paris in 1732 and then, on 6 December 1733, arrived in Dublin to enter the service of Charles Moore, Baron of Tullamore. Apart from occasional trips to Paris to publish his works, and to London, he remained in this service until his death. His last public performance took place on 3 March 1760. In 1761, on one of his sojourns in Dublin, a servant robbed him of a musical manuscript on which he had bestowed much time and labour. His vexation at this loss is said to have hastened his death. As a composer, he published 48 violin sonatas, and of 47 published concerti grossi, 23 are original, and 24 are arrangements of Corelli trio and violin sonatas. As a theorist, his 'Art of Playing the Violin' (1751) as well as the 'Guida Harmonia' (1752) are seminal works demonstrating performance practice of this period. His contemporaries in England considered him the equal of Georg Friedrich Handel and Corelli. He was one of the greatest violinists of his time, an original if not a prolific composer and an important theorist.

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